Tag: SF/F

Review – Impulse

Posted January 18, 2016 by Nicky in Reviews / 2 Comments

Cover of Impulse by Dave BaraImpulse, Dave Bara

I picked up Impulse because I have a weakness for space opera — probably because I was raised on a steady diet of Star Trek and Star Wars, Blake’s 7 and Babylon 5. Impulse is fun enough, with chases and traitors and first contact with (sort of) aliens, and dealing with romance on board ship, and conflicts between differing kinds of orders.

It’s fun, but kind of bland; others have done it better, and there wasn’t much contact with aliens. Both romances were straight out of Kirk’s playbook, really, and the main character is a mixture of mature and immature; inexperienced and cocksure; getting rank through privilege but also coincidentally being good enough for it, somehow… His fuck-ups don’t have major consequences for him (only for other people), and generally life goes along pretty easily for him — other people get hurt and die, but he makes it through and will be fine.

I found the ending extremely annoying — the nominal goal of the book isn’t reached, and it’s just… very unsatisfying. There’s more in the background that interested me that wasn’t brought out.

Still, fun enough to occupy a train journey. Not sure if I’ll read the rest of the series, though I think the second book is now out.

Rating: 2/5

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Review – Unnatural Creatures

Posted January 16, 2016 by Nicky in Reviews / 6 Comments

Cover of Unnatural Creatures ed. Neil GaimanUnnatural Creatures, Neil Gaiman

Unnatural Creatures is a fun collection with a rather diverse set of authors, including Gaiman himself, Peter S. Beagle, Nnedi Okorafor, Nalo Hopkinson, Diana Wynne Jones… it includes some stories published before which fit with the theme, and a couple which seem to be published for the first time here. Most of them weren’t stories I knew already, and I thought overall it was a good selection; there were none which really didn’t work for me, though I wasn’t so interested in ‘The Compleat Werewolf’, particularly given how long it was.

Some of the creatures are more traditional than others: werewolves and ancient animal gods and the spirits of trees juxtaposed against a predatory bicycle, the story by Gahan Wilson, etc. Which is always good, to my mind, because werewolves and unicorns and such have been done, and a bit of new blood is always interesting.

My favourites of the collection? Hmm. ‘The Griffin and the Minor Canon’, by Frank R. Stockton; ‘The Sage of Theare’, by Diana Wynne Jones; ‘The Cartographer Wasps and the Anarchist Bees’, by E. Lily Yu; ‘Prismatica’, by Samuel R. Delaney… Stockton’s story, for example, is fairly traditional in the sort of structure and moral, but then there’s that odd sad note of pity for the Griffin, despite — well, you should probably read it for yourself. ‘The Cartographer Wasps’ is a fable, too, with a different sort of feel. And then ‘The Sage of Theare’ has a figure familiar from Jones’ other books — Chrestomanci!

Yes, it’s definitely an interesting combination, and a collection worth spending some time with, I think.

Rating: 4/5

 

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Review – Lagoon

Posted January 13, 2016 by Nicky in Reviews / 4 Comments

Cover of Lagoon by Nnedi OkoraforLagoon, Nnedi Okorafor

Received to review via Bookbridgr

I’ve been meaning to pick Lagoon up ‘next’ for far too long, so hurrah, finally I have done so! I picked it up partway through New Year’s Eve, in fact, and finished it in one go: it’s a very lively, dynamic book, with various different points of view — including a swordfish who turns herself into a monster, the better to sabotage oil pipes on the sea bed. (It makes sense in context, I promise.) There’s a whole bunch of different people, people speaking Pidgin, LGBT people, a woman who is a marine biologist, people of all kinds of beliefs and none… and aliens, making first contact, for the first time, in Nigeria.

It’s an almost unique setting for a fairly common SF trope, in my experience: normally, like the big blockbuster movies, the aliens go to the President of the US, and don’t stop to wonder about the leader of Nigeria. And it brings in all kinds of elements that would be out of place in a USian setting: folklore and legends, witchy powers, superstitions about those (which aren’t gone in the “Western world”, but are different). All of this make it something fresh and different.

Unfortunately, it didn’t quite work for me — a bit too jumpy, a bit too chaotic, and perhaps I missed some key transitions or something, because I wasn’t always sure why one thing led to another — I described the narrative as ‘hopping’ when trying to talk about it to a friend. A slightly different storytelling style than I’m used to, perhaps. And I felt that some threads were just dropped: Ijele, for example, and the LGBT+ group who had a couple of chapters but then fizzled into nothing. (Which is especially bothersome to me when they’re used to ratchet up tension, and they’re actually in danger, and then the narration just… loses interest? Not cool.)

Lagoon is an interesting one, anyway, even though it’s not quite my thing.

Rating: 3/5

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Review – Ruin and Rising

Posted January 11, 2016 by Nicky in Reviews / 4 Comments

Cover of Ruin and Rising by Leigh BardugoRuin and Rising, Leigh Bardugo

As I’d hoped, Ruin and Rising is better paced than Siege and Storm, to my mind. Although some notable folks thought the opposite, so I suppose it really does depend on what you’re most interested in. I did enjoy the twist with the third amplifier, and the fact that finally they really got on track to deal with that plotline — so much of book two was spent wanting to deal with it and going back and forth on whether it was a good idea, etc, etc.

I did like the continued development of Alina’s character, and the way things worked out with that — the way she had to learn to deal with the things she had to do, and how ruthless she tried to be. How power had a hold on her as surely as it did on the Darkling, and on the pity she felt for the Darkling even despite his behaviour. I think you can judge a person (or character) by how they treat vanquished enemies, and Alina was generous about it: she remembered the Darkling’s name, made sure his wishes were honoured, etc. And I enjoyed Nikolai’s development, too, though I think a lot of the drama and interest with what happened to him was elided for the sake of Alina and Mal’s story. Which makes sense, since Alina is the narrator, but… I’d still like to have seen more of Nikolai. He is the sassiest, and also the most capable character.

All in all, I think it was a good conclusion to the trilogy, and I’m looking forward to seeing this world from a different angle in Six of Crows. Here’s hoping it’s as good as everyone says!

Rating: 4/5

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Review – The Grey King

Posted January 9, 2016 by Nicky in Reviews / 2 Comments

Cover of Susan Cooper's The Grey KingThe Grey King, Susan Cooper

I somewhat put off reviewing The Grey King after finishing reading it, because I’m not sure what there is to say about it anymore. I’ve rhapsodised about it at length: the use of mythology, the casual use of the Welsh language, the home-ness of the landscape and the people… The shades of grey and the adult touches when it comes to Owen Davies and John Rowlands, and Will Stanton’s interactions with them. There’s some beautiful passages, especially the section spent in Craig yr Aderyn, and some genuine moments of horror, loss, anger, fear…

And there’s Bran Davies. One of the first Welsh heroes I came across in fiction — at the age of sixteen or so. And he really is Welsh; Welsh-speaking, Welsh-thinking, a part of the Welsh landscape and mythology. But he’s also very human — vulnerable. Angry. Resentful, even. Strange and unhappy and alone. And then his friendship with Will is just lovely, the immediate rapport between them, the ways Will being an Old One damages it, the ways Bran adapts.

And there’s Cafall. All too briefly, but so key to the plot, to Bran.

There’s quite a lot of more adult themes here — quite far from the world of Over Sea, Under Stone, which is almost entirely concerned with Barney, Jane and Simon. There’s Owen’s grief for Gwen; Gwen’s grief at betraying her husband; the jealousy and rivalry between Owen Davies and Caradog Prichard; Arthur’s yearning for connection with his son… And of course, those shades of grey I mentioned. The conversation between John and Will about how the Light will ignore the good of a single person to pursue the greater good, and John’s reaction, really highlights to me that the humans are the real heroes of this series. And the villains, too, because Lords of the Dark choose to become what they are — they aren’t born, like Old Ones.

Rating: 5/5

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Review – Beauty

Posted January 7, 2016 by Nicky in Reviews / 2 Comments

Cover of Beauty by Sarah PinboroughBeauty, Sarah Pinborough

Beauty wraps up the trilogy, tying the books together even more and linking even more fairytales. It’s written in the same style as the previous two, and illuminates some points from the other books — including the characters of the Prince and the Huntsman. It’s all a little too neat for my tastes, and I think this might’ve been my least favourite of the books; the gruesomeness and sex was exaggerated even further, and we spend far too much time with the Prince, who we know is not exactly the nicest of characters. (Though perhaps this book explains it, somewhat!)

The ending, the epilogue part, was just infuriating — is this the end of a trilogy? Are there more books coming? I’m confused; it seems to promise that there will be resolution of this plot, at some point, maybe, but not now? The character is just left hanging in the most infuriating sort of way: there’s a way out of her situation, right, so what is it? I want to know! (Though the choice to combine Sleeping Beauty and Beauty and the Beast is quite fun taken as a concept, I just wish there was an actual resolution.)

I do like the way that Pinborough has twisted and combined the fairytales into one landscape of story. It might be a bit too clever by half, but I’ve been getting used to it, and it’s kind of fun to play spot-the-fairytale — and also spot the references to other people’s versions. The language works well, although it makes the sexual imagery all the more surprising — reading it, you’d think it’d be suitable for a child, or almost. And then… oh. Perhaps not!

Rating: 3/5

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Review – Before They Are Hanged

Posted January 4, 2016 by Nicky in Reviews / 4 Comments

Cover of Before They Are Hanged by Joe AbercrombieBefore They Are Hanged, Joe Abercrombie

It’s surprising, looking back now I’ve finished Before They Are Hanged, to discover how little progress has really been made in the book. I originally commented that this book mostly sees character development, and that’s the case again — we see more of Logen’s dark side, more of Ferro’s softer side (which is only really marginally softer), and we begin to see Jezal shaping up into a half-decent sort of person. West and Glokta continue to be conflicted figures (though all the characters, really, are conflicted), caught between their flaws and their devotion to their duties, and whether those duties are even the right thing to do in the first place. And Malacus Quai… becomes more of an enigma; I was interested by the slow hints of his development, though we don’t really spend any time in his head, and I don’t recall what happens to the character.

As with the first book, half of these characters are pretty terrible people. Either they’ve done terrible things, they want to do terrible things, they’re doing terrible things, or they will do terrible things. Or terrible things have been done to them. The tentative relationships between Glokta and Ardee, Ferro and Logen, Glokta and Vitari, the growing trust between all of Logen’s group… All of these are well done as well. Mismatches and uncertainty and snatching things where you can find them… Again, it all feels real.

In many ways, this is typical fantasy. The Shanka are basically orcs, Bayaz appears to be Gandalf, the set up for Jezal to be a king is rather obvious… But there’s also grit and realism which was absent in The Lord of the Rings, which people usually point to as the archetype. I’m not sure I wanted to know that men’s nipples chafe when travelling in a rainstorm, but I know for sure that Tolkien wouldn’t have included that in his mythology!

Yes, it’s fairly obviously a part of the tradition. But I think it comments on it, too, and stretches it a little. It’s not all typical. And if you’re expecting Tolkien’s eucatastrophe, Joe Abercrombie seems fairly set to disappoint you.

Rating: 4/5

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Review – Siege and Storm

Posted January 3, 2016 by Nicky in Reviews / 4 Comments

Cover of Siege and Storm by Leigh BardugoSiege and Storm, Leigh Bardugo

Siege and Storm, the second Grisha book, wasn’t quite as absorbing as the first, Shadow and Bone — though that would be difficult, since I read the first half of Shadow and Bone while walking back from the library. I’m not even kidding. I think the pacing was a bit off here, and the fact that the book is almost 100 pages longer did it no actual favours. It’s still a pretty quick read, but the extra 80 pages felt like unneeded bulk.

Or perhaps that’s the added time I spent disbelieving that Mal would keep being such an idiot. He plays right into the hands of his rivals. It’s like he liked Alina when she wasn’t powerful, when she needed him to look after her, and he could feel superior because he was taking care of her, he was the only one who saw her worth, etc. Granted, Alina herself is changing (and I liked that journey, the way the power is changing her and the conflict she feels about it) and of course that concerns him, but it doesn’t seem to be about that. He just doesn’t like that she’s no longer devoted to him and that she’s no longer his to protect.

Which is, well. Kinda gross.

Nikolai, on the other hand, is pretty awesome in all his guises. I like that the way he acts is carefully examined — he’s manipulative, and he knows it and uses it, but at the same time, he’s not 100% comfortable with it. He seems to care about his mother and about Alina. He also genuinely cares about his country, rather than wanting power for the sake of power. And unlike Mal, he’s very clear about what he wants and expects of Alina.

The Darkling isn’t much in evidence here, with just a handful of scenes. That leaves the book a little lacking, I think; his opposition isn’t enough felt for a good 100-150 pages in the middle. It makes the showdown at the end very sudden. I’m not mourning the loss of his manipulation of Alina — interesting parallel to Nikolai, who is at least open about it — but he felt a little… lacking in bite.

I’m interested to read the third book, and hopefully it’ll get more of the momentum back. This seems like a lot of criticisms, but I did enjoy Siege and Storm enough not to drop it another star.

Rating: 4/5

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Review – The Dark Arts of Blood

Posted January 2, 2016 by Nicky in Reviews / 0 Comments

Cover of The Dark Arts of Blood by Freda WarringtonThe Dark Arts of Blood, Freda Warrington

The Dark Arts of Blood is much like the other books in this series: lush, sexy, gothic, and unapologetic about that. The plot and such are more or less the same sort of fare: mythology shaping the world, the world shaping the mythology, the vampires trying to live in peace but being fundamentally at odds with the world because of their need for blood… For the most part, this belated addition to the series works seamlessly with the earlier books; it also doesn’t descend into any kind of nostalgia for the older books. There are consequences. Things happen to characters who we wished were safe. The mythology and magic of the world — and the tumultuous period of history the books are set in — continues to intensify.

One thing which didn’t work for me was the sub-plot with Charlotte and the lamia. It’s much the same kind of conflict she’s already faced, which was resolved in The Dark Blood of PoppiesI didn’t buy that it would resurface like this, especially when other vampires didn’t face similar problems at all with the same stimulus.

Still, the addition of more vampires to the world, going further afield and seeing other countries, is definitely welcome. And despite the fact that they got together in the first book, the relationship between Charlotte and Karl still has the same intensity now. It’s also good that despite the fact that they disagree, there is rarely high drama about it — the second book showed the biggest threat of that, but they worked on it. That is always great to see in romance fiction.

Bottom line? If you like morally ambiguous, often amoral vampires who are actually scary and otherworldly and not just humans with stick-on fangs and extra sex appeal, I do recommend this series. I’m thinking of acquiring the books for myself (I read them all from the library) for later rereading. I never expected to get so caught up, from reading the first book — there’s something so deliciously self-indulgent about them.

Rating: 4/5

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Review – The Ocean at the End of the Lane

Posted January 1, 2016 by Nicky in Reviews / 6 Comments

Cover of The Ocean at the End of the Lane by Neil GaimanThe Ocean at the End of the Lane, Neil Gaiman
Originally reviewed 8th September, 2013

I don’t know how to review this. Skimming other people’s reviews there’s a lot of debate over whether it’s adult/young adult fiction (haven’t seen anyone advocating for “new adult”, or whatever the term is — that is one genre it certainly isn’t, even saying that as someone in my mid-twenties), or about the length. Or people just enthuse (or don’t). It’s certainly a very quick read. As for who it’s suitable for — there’s a quote somewhere in it about myths, about how they’re stories that just are. “I liked myths. They weren’t adult stories and they weren’t children’s stories. They were better than that. They just were.” That’s how this felt to me.

It certainly has points best appreciated by different audiences. I don’t know if Diana Wynne Jones was alive to read it in any form, but she would have been an ideal reader for it, I think. There’s something on the mythic level that would appeal to a child (at least one like the narrator, which I think I was — certainly you could say of me that “I lived in books more than I lived anywhere else”). And there’s an adult level, about memory, and forgetting, and nostalgia for childhood. Some of which I think Gaiman is very wise about. For example…:

I do not miss childhood, but I do miss the way I took pleasure in small things, even as greater things crumbled. I could not control the world I was in, could not walk away from the things or people or moments that hurt, but I took joy in the things that made me happy.

A lot of people think they miss childhood, but they’re looking back at a utopian fantasy. But here Gaiman’s narrator (which people to some extent seem to identify with him himself) is picking out something about childhood that we really do lose: the ability to live in the moment. Or at least, he gets nearer the heart of it than many people do.

Despite that, just as a story… I don’t know how much I enjoyed this. I suspect I’m the wrong age for it, in a way. I’m still a bookish kid at heart in enough ways that I appreciated the mythic aspects, but I think the adult aspects, the question of memory… I think that’ll be more meaningful when I’m older. If it helps to pin down my reaction, I will certainly read this again someday. Right now I do resonate with the brief image we get of the narrator at twenty-four, uncertain and unhappy, searching for reassurance.

The mythic aspect of Gaiman’s world is fascinating: ultimately unknowable, somehow, even as it focuses on mundane things like broken child’s toys and mending clothes. That leaves you with little to get hold of — and, as with many things about this book, I’m ambivalent about that, too.

Rating: 3/5

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