The Devil You Know, K.J. Parker

On the strength of The Last Witness, I was ready to pick this up as soon as it came out; I really enjoyed pretty much every aspect of Parker’s other Tor.com novella, and definitely wanted to read more from him. The Devil You Know is significantly weaker, though; apparently, one of the main characters is from another book by Parker, Blue and Gold. I think knowing that, I’d have picked up Blue and Gold first, because while the background is easy enough to grasp in this book, it might’ve helped in understanding the character and what he wants.

The plot itself is basically Faustian, with one of the main characters (a philosopher) trying to trick the other (a devil, but in a bureaucratic delegation sort of way: he doesn’t have pointy horns and an evil nature) out of the whole selling-your-soul bargain. I thought the final solution to that was a bit obvious, both as a device in general and in the way it was executed here, and the devil surprisingly careless about that one aspect after reading and rereading all the rest. It felt a bit like convenient stupidity for plot reasons.

The writing is a bit difficult to follow; unfortunately, the two POVs switch frequently but not regularly, and you have to guess from context which character is speaking. There are a few points where it’s impossible for a paragraph or two to figure out who is even supposed to be speaking, making everything rather confusing — especially since I don’t think the devil character has a name, and is usually just referred to as ‘he’, ‘him’, etc.

That’s all pretty negative, though: I did enjoy the story, the careful set-up, the bureaucratic version of selling your soul and how all of that was handled. It just didn’t catch hold of me in the way that The Last Witness did.

Rating: 3/5

The Jewel and Her Lapidary, Fran Wilde

I was pretty excited to read this Tor.com novella, particularly because of all the good things I’ve heard about Wilde’s debut novel. I found it a little too compressed, though, and confusing because of it; there’s a lot going on, with a whole new fantasy world, a magic system without a proper tutorial so that you’re never quite sure of the rules and limits, and a lot of characters who are sometimes referred to in different ways depending on the POV characters’ relationships to them — and that’s not to even mention the clearly-much-later-than-the-story tour guide extracts, which add another layer.

It all makes for a pretty fascinating world; that’s not the problem. The problem is that it doesn’t feel novella-sized. I feel like we needed to know Lin before the disaster, know something of the magic, before we could really appreciate what happened and how Lin dealt with it. Her actions clearly have enormous meaning to her, but to us they’re confusing — is it symbolic, or is there something magic going on? Or both?

I would’ve enjoyed seeing this as a full-length novel, I think; it just felt too rushed as a novella. There’s some lovely imagery and fascinating ideas, but it’s so breathless. I’m still interested in reading Wilde’s debut novel, though: maybe with more space, her ideas will be expanded on. And the ideas definitely aren’t the problem.

Rating: 3/5

Dancing With Bears, Michael Swanwick

I normally love a heist novel, and that wasn’t my problem with this book. My problem with this book was the amount of weird sex. The genetically engineered dog-man who is 100% dog DNA but… seems pretty humanoid in shape and intelligence and what-not — and the genetically manipulated harem girls — and the sex-drug giving priest who is preaching goodness knows what, and —

Honestly, I couldn’t pay attention to the heist and the buddy dynamics between the main characters, because what the hell is going on with the sex. And why are almost all the female characters sex-obsessed and/or empty-headed and just… I feel like I’m missing something profound here, but maybe I’m just really not the audience and it’s meant to be harhar women harhar sex?

The setting, the post-post-apocalyptic Russia, is an interesting one, and I kind of wanted to know what was going on with the machines. But the rest of it just either bored or horrified me. I’m not interested in books where part of the plot revolves around some genetically engineered women being purposefully crafted so they can only be touched by one man, and their utter focus on getting to said men so they can have sex. Whaat.

Rating: 1/5

Runtime, S.B. Divya

The tor.com novellas have generally been an interesting bunch, and Runtime definitely adds to the mix. There’s a lot of background stuff which I find really intriguing: the society, the genderless/third gender (it’s not entirely clear what this should be considered as), the tech… The idea of what amounts to a caste system in America is pretty topical, given the attitude to immigrants at the moment, and it doesn’t feel that far off or strange.

The story itself is relatively simple: Marmeg, the protagonist, joins in a gruelling race using implants and an exoskeleton, hoping to finance her future and get her brother legal status in the US with the winnings. In the end, she has to choose what’s most important, and does what I think most readers would consider the right thing… and loses what she hoped for as a result, because the system doesn’t want to allow people like Marmeg to win. It’s a complex situation which has a quick look around at the ethics of the situation Marmeg ends up in; I won’t spoiler you on exactly what that is.

Despite the simplicity of that plot — a stripped down The Long Walk — it works well, and the voices help to make it as well. I’ll be looking out for Divya’s writing.

Rating: 3/5

The Dream-Quest of Vellitt Boe, by Kij Johnson

Received to review via Netgalley

I don’t know Lovecraft’s work very well, but that turned out to be okay: Johnson’s version of the Dream-Lands works as well without, as far as I can tell — maybe better, because I don’t know what she skipped or twisted, I didn’t make the comparisons others probably make. It stands on its own, weaving Kij Johnson’s skill with Lovecraft’s dark visions; I couldn’t tell you where the gaps are. I think I’d prefer to approach it as I have, because then you can just experience it as a story.

And as a story, it works well: perfectly paced, taking us on a slow quest through a world that’s strange and sometimes horrible, and yet also wonderful. I really enjoyed the way things could be awful in appearance and grotesque in actions, and yet not necessarily evil or unbound by a sense of honour: the ghouls here are fascinating, for all that they’re not the focus of the story, because they eat dead flesh and yet they have a culture, they have agreements, etc. Things are not quite clear-cut.

The main character, Vellitt Boe, is an interesting choice: she’s in her fifties, a former wanderer who became a teacher and who now has to go back to wandering. She’s capable but not perfect, no longer in her prime, no longer quite ready for the hardships of the road. There’s a nice sense of certainty with her: she knows who she is and where she’s going, what her goals are, and she doesn’t shrink from it or try to run away.

I enjoyed this a lot, and wouldn’t mind wandering through the Dream-Lands again. I’m not sure if I’ll read Lovecraft — knowing his attitudes and the way his work ignored women, it might just be too frustrating — but I certainly feel the temptation.

Rating: 4/5