Shanghai Sparrow, Gaie Sebold

With this book, if you’ve read one steampunky book with a plucky young protagonist who goes to spy school, you’ve read them all, including this. It reminded me of Gail Carriger’s work, with less romance and humour. That’s not a bad thing, even though this sounds like damning with faint praise; it’s a fun book, and the crossover with faerie lore is fascinating — steampunk, plus fox spirits and fairy courts who spirit away humans.

It’s reasonably predictable, but it moves along at a pretty good pace, apart from one interlude which delves into the main character’s past and rather stalls the narrative. It’s enjoyable that it’s mostly not about romance, and that one of the main character’s preoccupations is actually — slight spoiler ahead — finding her mother, who she thought was dead. The ending felt a little easy, in that you had the characters all tangled up in spy school and people’s plans and then… suddenly, they just manage to walk free.

I’m not desperate to read the second book, but I had fun. Sometimes, that’s what you need.

Rating: 3/5

The Ghost Line, Andrew Neil Gray, J.S. Herbison

Received to review via Netgalley; publication date 11th July 2017

I didn’t expect to find this so creepy, but wow, it ended up getting under my skin. I thought I’d just start it, see what it was like before bed… and then I read the whole thing. I loved the partnership between the husband and wife team, and the whole idea of a space-liner drifting on an old cruise path just to keep the rights to it. There’s not much explanation for why what happens on the ship occurs, but it’s almost better that way — you don’t understand why anymore than the characters do.

I loved the ending, too. It’d have been easy to give readers an easier, happier way out; to have some kind of compromise be reached. Instead — well, I’d better not say too much. Suffice it to say that it works really well, and though it’s not horror, it definitely has a heck of a creep factor in places.

Rating: 4/5

Waking Gods, Sylvain Neuvel

Received to review via Netgalley; publication date was 6th April 2017

Wow. Sylvain Neuvel isn’t messing around. Waking Gods is the follow-up to Sleeping Giants, and it doesn’t pull punches. If you hoped that it’d end with everything being okay, well, certainly not yet. And there’s apparently more to come, if the ending of this book is any indication…

I don’t want to say too much about the plot, because it’s worth discovering it yourself. The structure is the same as in the first book, and if that annoyed you previously, then this isn’t going to be any better for you. If you found it simultaneously frustrating and intriguing, then that sensation will also pretty much persist. If you straight-up love it, well, again. The point is, the format hasn’t changed, and it’s roughly the same characters as well. However well those things worked for you in the first book is likely to be repeated.

If Mitchell could just, like, implode or something, I’d be pretty happy, I’ve gotta say.

The solution at the end of this book struck me as a bit convoluted and contrived, because of the constraints on it and the limited time to suddenly figure it out. All the same, hurrah for the character who figured it out making good.

Rating: 4/5

Sea of Rust, C. Robert Cargill

Received to review via Netgalley; publication date 7th September 2017

The cover of this is gorgeous, no question, and the idea sounds pretty cool: post-apocalyptic robot Western, what’s not to love? Unfortunately, I didn’t finish this book, because it’s just too bogged down in tons and tons (and tons) of exposition via info dump. There are whole chapters where the main character, Brittle, does nothing but explain the history of her world. It’s first person narration, so to whom is she telling the story? Why wouldn’t they know?

(I credit, or curse, Lynn O’Connacht with my pickiness about first person narratives, these days. She’s the first one who really made me go, oh, right. Why is this person telling this story anyway, and to whom?)

That gripe and the exposition aside, I was also put off by the fact that at first, the robots were pretty much ungendered. Brittle didn’t seem to have a gender identity, and certainly there was nothing in the story to indicate one way or the other. (At least to a casual reader, and I’m not going back in to check.) Then all of a sudden, 20% of the way through, it turns out that robots do have gender identities, or at least there’s enough there that other robots still bother with gendered pronouns and distinctions between hes and hers.

That’s probably a very personal gripe, and it may not even have crossed the author’s mind — female robot, why not? But I just have to ask why, why would a robot cling to an outdated, human idea of gender in a post-human world?

Maybe that gets addressed later on, but I don’t have the patience to wait for it.

Rating: 1/5