Tag: SF/F

Review – The Echo Wife

Posted June 17, 2021 by Nicky in Reviews / 1 Comment

Cover of The Echo Wife by Sarah GaileyThe Echo Wife, Sarah Gailey

I wasn’t quite prepared for the journey when I picked up The Echo Wife. It goes some pretty dark places, musing about the way people shape each other, the fingerprints we leave on each other — both metaphorically and for some people physically — and the way we re-enact our own traumas and fall into terrible patterns. Even the acknowledgements at the end are a hell of a thing: raw, truly thankful, but in some cases in a twisted way that hurts. Gailey has put a lot of pain into this book, and that could make it a really difficult read.

For me, though, it got its hooks into me and wouldn’t let go. I read it in two sittings — a whole 150 pages or maybe even more while my wife was on the phone with my parents-in-law. Okay, it must’ve been a long call, but wow.

I don’t want to say too much about the story, but it is not the kind of story where you necessarily end up liking the characters — all that matters is that you really get to understand the characters, the things that shaped them and the way they in turn shape their world. It’s a hell of a ride.

Rating: 5/5

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Review – The Angel of the Crows

Posted June 10, 2021 by Nicky in Reviews / 0 Comments

Cover of The Angel of the Crows by Katherine AddisonThe Angel of the Crows, Katherine Addison

I took ages to read this book, despite being really eager for it, because… well, I didn’t think I’d love it as much as The Goblin Emperor, which holds a pretty special place in my heart, and also because I heard some bad things about the portrayal of some of the characters which made me a little wary. In the end, though, I ate it up — I read it in a few hours flat, and it was very compulsive.

It’s essentially a retelling of Sherlock Holmes, only what if Sherlock was an angel and Watson was… well, there are a lot of things about the Watson character, which I shouldn’t share too much about for fear of spoiling the surprise. Sometimes the retelling is fairly close, and you’ll recognise a lot of the Sherlock Holmes stories if you’re familiar with them, but twisted into a new shape by the changes to Crow (Sherlock) and Doyle (Watson), and the world around them.

If you’re not a fan of Sherlock Holmes (or Sherlock Holmes derivatives), in the end this isn’t going to bring you joy. I’m lukewarm on Holmes as a character and a phenomenon, though I loved the movies with Robert Downey Jr, and ended up loving this, so it’s not that you have to be a Holmes superfan in order to enjoy it. The context helps, I think, though sometimes the story was so close to the familiar one that I kind of wished I wasn’t as familiar with the source.

That said, by the end I just wanted more, more of these characters and their bond, and more of the worldbuilding surrounding them.

Rating: 5/5

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Review – Exiled from Camelot

Posted June 5, 2021 by Nicky in Reviews / 0 Comments

Cover of Exiled from Camelot by Cherith BaldryExiled from Camelot, Cherith Baldry

I reread this to prepare for a discussion with other Arthurian enthusiasts, and actually livetweeted the reading experience — which means I have very extensive notes on this, compared to my normal readings, and that now I’ve read this twice with a rather analytical eye: once for my dissertation, and this time for fun.

So, anyway! Few people know about this novel, and it’s not like I’d actually propose adding it to the Arthurian canon as a must-read — but it’s particularly interesting for me because of how it handles both Sir Kay and Sir Gawain, both knights who were in the Welsh tradition (as Cai and Gwalchmai) and then suffered a reputational loss as the stories moved to England and then the Continent. Partly this is because they were old characters who already had stories attached, so obviously those who wanted to write new stories generated their own characters, like Lancelot. And partly it’s because both of them are really strongly tied to Arthur himself, and in medieval times it was better to criticise the king at a slight remove — by criticising his cousin, or his steward, and showing them to be cowards or louts.

Exiled from Camelot instead rehabilitates both of them: Kay by reframing his sharp tongue and betrayal of Arthur, and Gawain by just ignoring the rude stuff other people have said about him. The book sees Kay as the character of a modern novel in a chivalric world that doesn’t understand him: a sensitive man, and one who has worth outside of his knighthood as a manager of men, as a domestic figure. Kay shines in this novel when he is arranging a household and making the wheels of diplomacy run smoothly… and he’s a whimpering mess when he faces sorcery and hatred (though Baldry is careful not to make him contemptible: in a flat-out fight he’s afraid, but he wants to stand at Arthur’s side, and he does have the training to face his foes).

Kay is also in love with Arthur. I mean, that’s never explicit — the fact that he loves Arthur is, but they keep talking about brotherhood when Kay wants to clutch Arthur’s clothes and knows what his hair smells like. There’s a lot of subtext between Kay and Gawain as well, to the point where I wanted to yell at Kay about how Arthur’s the wrong man for him. That aside, the strong relationships between the characters — particularly Gawain, Kay and Gareth, and to some extent Arthur and Kay (though less so because Arthur spends too much time irrationally being a dickhead) — are a real highlight for me.

All in all, I find it a lot of fun, even though it’s not exactly influential or anything like that: it encapsulates a lot of what I enjoy about modern, sympathetic takes on various Arthurian knights.

Rating: 4/5

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Review – Kushiel’s Chosen

Posted April 3, 2021 by Nicky in Reviews / 0 Comments

Cover of Kushiel's Chosen by Jacqueline CareyKushiel’s Chosen, Jacqueline Carey

These books could really each be a trilogy on their own, in someone else’s hands. Book one would be up to Phèdre in La Dolorosa, book two would be… maybe up to her time in Kriti, and then book three would be the return to Terre D’Ange. There are so many cinematic glorious moments, though Ysandre’s stunt near the end is the most glorious of the lot.

Kushiel’s Chosen follows Phèdre as she strikes out on her own, playing the game against Melisande in much the same way that her mentor Delaunay (unknowingly) did in the first book. She is, of course, rather too perfect in herself (apart from her drama with Joscelin, which sometimes gets frustrating) — too capable of carrying the day, through sex or divine mandate, but I always just settle down to enjoy it: the purple-tinged prose, the dramatic narration, the exoticisation of literally everything. It’s like a really, really rich banquet, and when I view it like that then I quickly sink into the story and characters.

What I can’t believe, really, is how quickly I used to read these books. I’ve slowed down in my old age. But there was also much enjoyment in spinning this out, episode by episode of Phèdre’s adventure, and building up slowly to the crescendo. I think this series has lasted well, for me.

Rating: 5/5

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Review – Going Postal

Posted March 1, 2021 by Nicky in Reviews / 3 Comments

Cover of Going Postal by Terry PratchettGoing Postal, Terry Pratchett

I finally read Going Postal because I need to write a review of it for Postcrossing, in the not too distant future, and also because I needed a book I could borrow from Libby so I could read on my Kindle while on the treadmill. I expected to take some time over it and have a daily date with it while walking; I’m stranded somewhere partway through Monstrous Regiment because I kept stalling for no apparent reason. I didn’t have the same experience with Going Postal at all: it just seemed to smoothly hook me and draw me in and just keep on dragging me with it.

I’ve had a somewhat rocky relationship with Discworld in general, I guess. I remember reading the first few books (in publication order), and getting a bit tired of the humour; I got a bit tired of the running gags of Monstrous Regiment, too. Going Postal clicked with me, though; I was glad to finally meet the origin of some of the regular fan references for myself (GNU, for instance) and I found Pratchett’s humour to be, in general, less juvenile here than in Monstrous Regiment. There a few bits where I rolled my eyes a bit and wished he’d get on with it; the initiation bit was one of those. Yes, yes, postmen fall over rollerskates and get chased by dogs, I get it!

But for the most part, it really worked for me. And you can’t help but like Moist van Lipwig, really. He’s not a good man, except he accidentally kind of becomes one while playing the part. He has a kind of dedication to it — admittedly in fear of his life — and a wild enthusiasm, and the quirks of the postal service he organises are a joy.

[NB: This was written a while ago, and in fact the review for Postcrossing went up first! Read it on the Postcrossing blog.]

Rating: 4/5

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Review – Fireheart Tiger

Posted February 24, 2021 by Nicky in Reviews / 2 Comments

Cover of Fireheart Tiger by Aliette de BodardFireheart Tiger, Aliette de Bodard

Received to review via Netgalley

This is blurbed as The Goblin Emperor meets Howl’s Moving Castle… and it’s really not like either of those, to my mind, so I really wouldn’t recommend it as such. There’s a touch of politics, yes, but Thanh isn’t much like Maia and nor is her position very similar except in that they’re both in a precarious position in a court (though Maia’s risks feel quite different to Thanh’s)… though now, a few weeks after reading the story, I suppose I do recognise Maia’s road to taking control of some of his power echoed in Thanh’s story. It might be more alike than it seemed on the surface, now it’s settled.

When it comes to its other big comparison point, for me it lacks the humour of Howl’s Moving Castle. It is also obviously completely devoid of any Welsh influence, and is not aimed at the same age group. It shares one central plot element, sort of. I’m a little confused about these comparisons, to be honest; I always suck at comparing books to one another, but I still don’t see the comparison here.

In any case, it’s a queer story set in a Vietnamese-influenced court. Thanh is a princess, but she’s most definitely a spare: originally sent away as a hostage, now returned and asked to negotiate with those who previously held her hostage. She has two main memories of her time at the other court: her affair with another princess, and a massive fire that overtook the palace and nearly left her stranded.

Both of these things are, obviously, relevant.

I found the way the plot played out fairly obvious; as a novella, it paints in pretty broad strokes. There are some hints of nuance in Thanh’s mother’s characterisation and motivations, which helps, but mostly it’s fairly straight-forward and works out the way I expected. (I’m very surprised by people who don’t recognise the abusive relationship for what it is, though, and think that’s intended to be the romance — so maybe it’s more subtle than I thought and I just trust Aliette de Bodard a bit too much!) For a story of this length, I don’t usually expect to be surprised, though, and I did very much enjoy the queer relationships and the glimpses of a different kind of court life and attitude to that more familiar to me from history and Western-inspired fantasy.

In the end, it didn’t blow me away as much as I’d hoped or expected — which is partly, I think, due to those comparisons to two books that mean a lot to me. It was enjoyable to read, but not like The Goblin Emperor in the ways I hoped for, and even less like Howl’s Moving Castle. We all take different things away from stories, and it’s clear that my version of The Goblin Emperor and Howl’s Moving Castle don’t overlap with the understanding of them taken away by those who made these comparisons. It’s worth keeping that caution in mind when comparison titles make something sound like it’s going to be completely up your alley, I guess!

Rating: 3/5

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Review – Cemetery Boys

Posted February 24, 2021 by Nicky in Reviews / 2 Comments

Cover of Cemetery Boys by Aiden ThomasCemetery Boys, Aidan Thomas

I really wanted to read this as soon as it came out, but I’m a mood-reader and it kept not being the time. Whoops. Anyway, now I have: it’s the story of a trans brujo, someone who can summon the souls of the dead and lay them to rest. Yadriel is a part of the brujx community, but somewhat kept apart because they’re handling the fact that he’s trans quite badly. In his desperation to prove himself, he summons a spirit… and it turns out to be the ghost of Julian, a boy from school who is rather wayward and not at all like Yadriel himself.

I wasn’t entirely sure how Yadriel and Julian could work together, knowing that this also featured a romance between them, but even as Julian annoys the heck out of Yadriel… the attraction and connection between them also makes sense. It’s somewhat forced on them by circumstance, but Julian’s unexpected kindnesses — and Yadriel’s desperateness to prove himself — speak volumes, and they become quite close. With the help of Yadriel’s cousin Maritza, a bruja also somewhat ostracised for her refusal to use blood to channel her healing powers (she’s a vegan), they try to figure out why Yadriel’s brother is missing, and what the heck is going on.

There was a certain aspect of the plot which I saw coming from a bit too far away, and I really wish it hadn’t worked out that way because I liked the character, and I was more in the mood for a different kind of story there. It’s not that it doesn’t make sense, because it does, but it wasn’t how I’d hoped things would turn out.

I adore how fiercely protective of Yadriel Julian becomes; the ending is a smile a minute, honestly. The overall feel of the book is rather young, but that rather suited my need for something that felt easy to read (even as it deals with some difficult topics, like being trans and fitting into your very gendered community properly). Definitely one I’m happy to recommend!

Rating: 3/5

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Review – The Tombs of Atuan

Posted January 25, 2021 by Nicky in Reviews / 0 Comments

Cover of The Books of Earthsea by Ursula Le Guin and Charles VessThe Tombs of Atuan, Ursula Le Guin

Again, I read this in the version illustrated by Charles Vess, this time. I noticed fewer corrections/changes in the text for this one, but perhaps I know it a little less well — though the opening chapter with the ceremony where Arha is ‘eaten’ has always stuck in my head (the drum beating at heart-pace, the ritual word that has lost all meaning) and the descriptions of the Labyrinth, the treasures of the temple… these have made a really big impression on me. As a kid, I think it was my favourite.

And that impression pretty much stayed with me. I love learning more about this part of Earthsea, seeing a whole other perspective. Though she didn’t know it yet, according to her own discussions of her writing process, so many foundations for the later books were laid here, asking new questions of what was established in the first book.

The only thing disappointing about this reread was reading Ursula Le Guin’s afterword, which feels like such an odd thing to say — but I so often agree with Ursula Le Guin that it really pulls me up short when something strikes such a discordant note for me. Here it is:

When I was writing the story in 1969, I knew of no women heroes of heroic fantasy since those in the works of Ariosto and Tasso in the Renaissance. These days there are plenty, though I wonder about some of them. The women warriors of current fantasy epics — ruthless swordswomen with no domestic or sexual responsibility who gallop about slaughtering baddies — to me they look less like women than boys in women’s bodies in men’s armor.

It sort of depends exactly what heroines Le Guin had in mind with that, but “no domestic or sexual responsibility” rings horribly to me. I enjoy the attention to domestic tasks in Le Guin’s work (Yarrow making the wheat cakes in A Wizard of Earthsea; the endless work of spinning and weaving at the Place in The Tombs of Atuan…) — and I certainly wouldn’t want Tenar to run around in armour with a sword. I think it’s important that Tenar, with those skills and her later trajectory, is a heroine… but she’s not the only kind of heroine there can be. (And a woman who wants to have “no domestic and sexual responsibility” is no less of a woman for it.)

Bit odd to end on that note, given that I dearly love The Tombs of Atuan. Still a great read.

Rating: 5/5

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Review – The Golden Mean

Posted January 21, 2021 by Nicky in Reviews / 0 Comments

Cover of The Golden Mean by Nick BantockThe Golden Mean, Nick Bantock

I loved The Golden Mean maybe a little bit less than the other books, even though the plot definitely advances here. It’s the end of the original trilogy, and there’s just so much that we don’t know because of the frustrating format. It makes sense that we can’t know it, but it’s still infuriating to get to the end and be left with so many questions about the story and what exactly happened. I’m very curious about that last postcard, don’t get me wrong! I’d love to read more!

But… this particular volume felt a little bit thinner, and the fact that the later books are all available second-hand only (and expensive) is really sad.

It’s still absolutely beautiful, with letters each in their own envelopes (though the envelopes are a little less well stuck to the page in this than in my copies of the first two books). It’s a lovely, tactile, multimedia experience, and I thoroughly recommend it even with its frustrations. I’ll continue reading the series when I can, though sadly it won’t be soon, unless I have a  Fairy Godmother somewhere!

Rating: 4/5

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Review – Sabine’s Notebook

Posted January 21, 2021 by Nicky in Reviews / 0 Comments

Cover of Sabine's Notebook by Nick BantockSabine’s Notebook, Nick Bantock

Sabine’s Notebook more or less immediately follows Griffin & Sabine, and has the same format. Though they were so close to meeting in the first book, Griffin gets scared at the last minute: can he have imagined Sabine? Is it possible that he’s invented her somehow? So he runs, and his letters to Sabine come from all over the world as he tries to figure things out, travelling to Florence, to Greece, to Japan… and attempts to visit Sabine’s home island.

Sabine, meanwhile, stays in Griffin’s flat in London, giving him the time to get things figured out. And then — well, I’ll let you discover it for yourselves, but suffice it to say that I loved this one as well. The ending is another kick in the gut, same as the ending of the first, and the letters between the two of them are tender and hopeful amidst the fear. And of course, the illustrations are beautiful, and the format with the envelopes and postcards remains really engaging.

I’m keen to see what the last book will do. In a way, the plot of this book is kind of demanded by the format. Once they meet, the conceit kind of falls away. So I’ll be interested to see how that gets resolved…

Rating: 5/5

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