Tag: SF/F

Review – Flowers for the Sea

Posted December 29, 2021 by Nicky in Reviews / 2 Comments

Cover of Flowers for the Sea by Zin E. RocklynFlowers for the Sea, Zin E. Rocklyn

Received to review via Netgalley

I’m not certain why I originally requested this on Netgalley, because it is very much not my thing. It’s set on an ark, in a world where water has swallowed the land, and the main character is pregnant when others on board have all lost babies, died in childbirth, etc. Slowly, we get some details about the world before the ark, while it becomes obvious that it’s no ordinary pregnancy.

It’s a very visceral book, ripe with details about scents (most of them awful) and sensations (again, most of them awful). Much of it is body horror, which is extra specially not my thing.

It’s beautifully written, which is most of what kept me turning the pages. I sometimes felt that the dreamlike narrative got in the way of me understanding quite what was happening — mostly in the memory sections, and in the relationships between the characters. It probably didn’t help that it was so very much not my thing, as well: I can’t say I was paying my best attention to the details while cringing!

Rating: 2/5

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Review – Comeuppance Served Cold

Posted December 27, 2021 by Nicky in Reviews / 2 Comments

Cover of Comeuppance Served Cold by Marion DeedsComeuppance Served Cold, Marion Deeds

Received to review via Netgalley; release date 22nd March 2022

I think this was first described to me as “Phryne Fisher with magic”. It’s not quite, since it’s not a detective story, but I can see why the comparison: there’s something very Phryne-like in Dolly’s matter of fact certainty about things. But don’t downplay the magic element when you’re thinking about this book: there’s a whole rich world outside the novella, happening before and after it, and giving it a context. There’s stuff going on that isn’t really explained, that just stands there as background, and it makes me hope there are going to be more books following Dolly/Comeuppance.

Everything about this is remarkably well-handled: telling a non-linear story in such a way that everything comes together with a snap at the end is a pretty good trick. You get just enough information to not quite trust everything, but not to put all of it together at once.

I enjoyed the characters a lot, in the end — even Fiona, to my surprise. I feel like there are two or even three strands of the story I’d like to follow in future books: I’d love to see more of Gabe, Philippe and Violet, as well as more of Dolly, or of her associates.

It comes together really well, tells a complete story, and leaves me wanting more. What more can you ask?

Rating: 5/5

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Review – I Only Killed Him Once

Posted December 27, 2021 by Nicky in Reviews / 0 Comments

Cover of I Only Killed Him Once by Adam ChristopherI Only Killed Him Once, Adam Christopher

And just like that, I’ve finished the last Raymond Electromatic book. I feel a bit sad now, though there’s no doubt I’ll come back: it’s a fun idea, and Christopher does a good job at a pastiche of Chandler’s style. I was quicker to the final answer here than Raymond, in several ways, but that only makes sense: he’s limited by a 24-hour memory, allowing Christopher to sprinkle in clues and deductions by him that he can’t remember, but which the reader can.

It could feel just annoying and obvious when Raymond finally arrives at the answer, but things speed along quickly enough — Raymond is aware of the limitations of his memory, so sometimes he’ll go along with something that’s happening in a way that both makes sense for the character and his limitations and prevents the reader from hopping up and down with frustration.

This last book brings a few things together and gives us some much-needed answers, in a way that’s pretty satisfying, while maintaining that pastiche feel and being a pretty slick read. For me at least, it brings it home triumphantly.

Rating: 4/5

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Review – The Untold Story

Posted December 27, 2021 by Nicky in Reviews / 0 Comments

Cover of The Untold Story by Genevieve CogmanThe Untold Story, Genevieve Cogman

Here we are, at the end of Irene’s story! At least for now. And what a finale it is, digging into the secrets of the Library, wrapping up questions that we’ve had all along, putting paid to enemies, seeing old friends, and answering some things that seemed like inconsistencies. I’ll try not to say too much, since it’s only been out for a few days, and instead keep my comments relatively spoiler-free, though you can expect to see me mention characters who are involved (or not) and stuff on that level.

Speaking of which, it feels a little odd to me that Lord Silver’s involvement is so very small. It makes sense in the context of the story — I didn’t question it at all — and he does have a part to play twice in the course of the story… but after we’ve been thrown together with him in book after book, his absence at a few key points rings oddly. Though, in the context, his presence wouldn’t make sense, so this is more of a meta-comment on my expectations.

Anyway, those who haven’t read the previous books in this series technically get some hints along the way of the history and how things work, but I really wouldn’t recommend starting here. It’s the eighth book of a series which has had a few recurring themes, a lot of recurring characters, and where a lot of detail has been sketched in to support the plot. There’s enough here to remind someone who hasn’t read the other books recently of what’s going on, but not enough for a total beginner. (I don’t understand why people start a series of this sort in the middle anyway, but seemingly they do.) You won’t care about the characters if you don’t know how they got here.

There are a few moments that caught me by surprise in how they were handled — notably Irene’s interactions with her birth parents. It felt very right for Irene, in fact, but I guess if I’d expected a misstep in how Irene’s relationships with those around her were handled, it would be here. But no, Cogman handled the moments well, balancing just enough curiosity and feeling with Irene’s affection and admiration for the people who raised her.

I was a bit nonplussed to find other reviews complaining that everything turns out perfectly at the end. It feels like they missed some of the losses along the way: sure, there are good things about the ending, but it’s not quite the status quo, either. I guess I too would’ve expected a more fundamental shift at the end… but I wouldn’t say that the ending is unalloyed joy, either.

And with that, I’ll leave others to find out for themselves…

Rating: 4/5

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Review – Spear

Posted December 6, 2021 by Nicky in Reviews / 2 Comments

Cover of Spear by Nicola GriffithSpear, Nicola Griffith

Received to review via Netgalley; publication date 19th April 2022

I don’t know how I skipped reading the summary, or if I just blanked it, but I hadn’t actually realised this was an Arthurian retelling. It was kind of interesting to come to the story that way, and see the clues emerge so that I suddenly went, oh, right, and knew a little more about where I was and where I was about to go. Spear is a gender-bent retelling of the story of Perceval/Peredur, which fortunately skips the Welsh jokes and “lol he’s a clown” that got played out in the tradition at one point (and which put me off Perceval as a character).

Griffith plays with the legend and with a sort of etymology for the name to create a story that hits some of the same notes, but in a different key. Her version of Kay is interesting, halfway between the Welsh version and the French, and her footnote about him in the author’s note gets him (as far as I’m concerned) spot on. Bedwyr’s around, too, though no sign at all of Gwalchmai that I can recall — despite the Dyfed setting, it’s not the most Welsh of retellings in that sense.

Honestly, I don’t want to say too much; it would get to sound nitpicky, given my academic background and all the little tiny features I was interested in and had thoughts about, rather than enthusiastic. Suffice it to say that I enjoyed it, greatly enjoyed certain touches surrounding the usual triad (Arthur, Lancelot and Guinevere), and definitely don’t mind a queerification of Arthuriana. In fact, let’s have a lot more of it!

I do have a few concerns, like: does Griffith realise how that changes the pronunciation? It’s nothing at all like “Lancelot”, a double L in Welsh is a completely different sound. The natural nickname wouldn’t be “Lance”, as far as I can tell — I’m not a Welsh speaker, but I have doubts here. Mind you, the Welsh alphabet doesn’t have “Z” either, so if “Llanza” is an attempt to make the name fit, then it’s an awkward one.

And my other concern might seem ridiculous, but… in the author’s note, to refer to “the Red Knight of Troyes’ Perceval” is painfully wrong. It’s referring to Chrétien de Troyes, obviously… and the way you do so is by referring to him by his full name initially, and then abbreviating to “Chrétien”. Troyes is a city, not a name. It’s like you said “Monmouth’s work”, meaning to refer to the work of Geoffrey of Monmouth. It should be “Chrétien’s work” — “de Troyes” is not actually a surname, and “Troyes” super definitely isn’t. It should be “the Red Knight of Chrétien’s Perceval“.

It’s something that was hammered into me at university, that we’d look ridiculous if we made this mistake, so obviously I noticed it right away! Maybe it’s a weird pet peeve to have, but here we are.

That said, the story itself works really well for me, and I enjoyed it a lot, both as an avid consumer of Arthurian retellings and for itself.

Rating: 4/5

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Review – Fugitive Telemetry

Posted December 6, 2021 by Nicky in Reviews / 3 Comments

Cover of Fugitive Telemetry by Martha WellsFugitive Telemetry, Martha Wells

And here I am at last, caught up! And it didn’t even take me as long this time (I think)! It turned out that Murderbot was the ideal (mostly) bite-size companion for the stressful month of November, and the novellas in particular were eaten up in the space of a day in most cases. Fugitive Telemetry took me a bit longer, but it wasn’t the book’s fault. It’s a very fun detective story, with Murderbot getting to use its skills in ways much more like it was designed for, and it gives us a glimpse of how Preservation works, how people (and free bots) behave there, and how Murderbot is beginning to find its place.

It is set before Network Effect, and I think for some people that made it a touch disappointing, since Network Effect was a step up in scope. For me, though, I was relieved to sink back into a monster-of-the-week type adventure — I couldn’t take a season finale in every book! And I think Murderbot shines here, grumpy and yet unable to help caring, and unable to help forming attachments despite its best efforts.

There is also a great line where Murderbot calls Ratthi and Gurathin when it needs witnesses/accomplices, on the grounds that Ratthi will help them do a thing and Gurathin will come along in order to tell them they’re doing it wrong. (This is a paraphrase so as not to ruin the context or the moment, but those who’ve read the book will know.) I’d happily read a lot more of Murderbot hanging out with Ratthi and Gurathin!

Actually, there are a bunch of great lines, of course, but that one really struck me.

Rating: 4/5

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Review – The Lord of the Rings

Posted November 30, 2021 by Nicky in Reviews / 0 Comments

Cover of The Lord of the Rings by J.R.R. TolkienThe Lord of the Rings, J.R.R. Tolkien

This reread took me a while. The Lord of the Rings is no less epic in scope, no less cleverly put together from the point of view of a medieval literature student who Sees What You Did There, no less nostalgic and magical and full of great moments and also space for your own imagination… but I feel like I’ve grown out of it for now, and despite the nostalgia for it, it’s not quite the kind of thing I want to read right now. Which is fine: it will be here when I come back, and I have faith that I will.

What I noticed particularly this time — since I always try to pick that sort of thing out when I re-review something I’ve reviewed before — is that I’d embellished a lot of the scenes with my own imagination. Inflating Eowyn’s part and Faramir’s, expanding out the personal stories like theirs which get lost against the big canvas… It’s a nice thing, to be clear: I enjoy that there’s so much space for it.

Anyway, not a wholly successful reread for me at this point in time… but there was still much to enjoy, and I don’t regret taking the time, either.

Rating: 4/5

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Review – Network Effect

Posted November 30, 2021 by Nicky in Reviews / 0 Comments

Cover of Network Effect by Martha WellsNetwork Effect, Martha Wells

I didn’t read this that long ago, but I still needed the reread, oof! There’s a lot going on — especially in the last 70 pages or so, and a good number of things I somehow hadn’t properly logged to long-term memory. It’s one of those books where even explaining the setup is kind of a spoiler for people who are only partway through the series, because so much has happened to bring us here… but suffice it to say that I love the meeting of old friends, the meeting of new ones about whom we didn’t know very much yet, and especially all the dialogue between Murderbot and the bot transport.

I still found that things are a bit slower and easier to follow going in — though I wouldn’t call it slow, there is a certain amount of waiting for things to happen, and quite a bit of trying to go off, find a quiet corner, and Have An Emotion — and then move at blurry, dizzying speed after a certain point. I think I’m up to speed on everything this time, but I wouldn’t want to be quizzed on it.

Honestly, poor Murderbot doesn’t nearly get enough time to just watch media, in this one. It does get in a couple of episodes of Sanctuary Moon and Worldhoppers, but c’mon. A Murderbot needs some more time to unwind.

Rating: 4/5

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Review – Exit Strategy

Posted November 16, 2021 by Nicky in Reviews / 2 Comments

Cover of Exit Strategy by Martha WellsExit Strategy, Martha Wells

This is, really, what the three previous novellas have been building up to, so it’s suitably epic. I’ll try not to say too much, given that spoilers for this book kind of spoiler the others as well, but suffice it to say that Murderbot returns to help out their humans (mostly meaning Dr Mensah, but also her team), gets shot at a lot, has emotions a lot, and tries not to get hugged or anything truly dangerous like that.

It’s obvious that something like this was coming from the build-up, at least in terms of the reunion, but it’s satisfying all the same to watch it happen. Murderbot is still Murderbot, but it has done a bit of growing and a bit of soul-searching. It might not know what it wants in the long term, but in the short term it has some pretty ironclad priorities. It might complain about its own competence constantly, but it gets the job done.

It’s surprising to me how satisfying I found this series as a set of novellas; normally I find novellas a bit frustrating, with a few exceptions, but I think Martha Wells planned things out well here and made the novella structure work. I’m glad that Network Effect is up next, though: I’d like to spend a bit more time with Murderbot.

Rating: 4/5

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Review – Rogue Protocol

Posted November 15, 2021 by Nicky in Reviews / 0 Comments

Cover of Rogue Protocol by Martha WellsRogue Protocol, Martha Wells

This might be my least favourite of the series, just because I find Miki annoying (as Murderbot does!) and the ending rather sad and… it kind of drifts off: it sets up for the next book, of course, and moves onto that pretty seamlessly, and that makes sense, but for me this feels a little like filler at times.

Which is not to say it’s not still fun: watching Murderbot crankily care about humans and pretend not to, and watching it react to Don Abene’s pet bot is a whole series of character moments. It still features Murderbot doing what Murderbot does best. But… I miss ART, and Ratthi, and the other characters that are more central (if not in terms of the plot, in terms of how much Murderbot cares).

So yeah, not a favourite, but don’t let that put you off — it’s still fun, and still important.

Rating: 4/5

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