What did you recently finish reading?
I finished The Female Man (Joanna Russ) yesterday. I wanted to think so much better of it, but it felt like one of those stories where the message overruns the plot. Which is to say, I’m not sure what the plot even was.
What are you currently reading?
Actively, I’m back to working on reading Silhouette of a Sparrow (Molly Beth Griffin). I’ve nearly finished that one. It’s cute, I’m wondering exactly how far it will go. I think Sarah Diemer recommended this one at some point?
What do you think you’ll read next?
Bruce Holsinger’s A Burnable Book! I was talking to him on twitter earlier and he actually sent me an ARC, so after all that I’m moving it right up my list.
I think people are wrong when they say this book is out of date. Many of the feminist issues Russ engaged with are still with us today, the double-standards women are held to and the things men expect of them. That part of the book seemed perfectly reasonable to me: a little out-dated, perhaps, as all of this sort of thing will become in just a few decades, but not irrelevant.
The story, however… I found it incomprehensible, buried under the weight of the feminist concerns and issues raised. I would rather have read the story and the examination of the role of women separately, I think. For me, I came to this book expecting a classic of science fiction, and to be honest, it doesn’t seem like there’s much. It’s a thought experiment, which can be done in literary fiction just as well (better?).
I’m a little uncomfortable with it being relegated to the class of science fiction, in a way, instead of being read as a classic in general. So often that’s used as a way to minimise the importance of a work: oh, quaint old genre fiction, rather than oh, social commentary. Those of us in the genre know how powerful a tool it is when used to examine society (and if you don’t, may I introduce you to the works of Ursula Le Guin?), but in academic circles… we’re starting to see more work on genre fiction — part of my MA was on Tolkien, and mainly on his fiction — and there’s been some good work on fantasy and SF, but it’s not as if any of that is even approaching “the canon”.
I almost feel like rereading this in an annotated version, or a Norton Critical Edition, would help me appreciate it more. But just on the merits of it as a story… no, I can’t say it did much for me.