Series: Inklings

Review – The End

Posted March 13, 2025 by Nicky in Reviews / 0 Comments

Review – The End

The End: Surviving the World Through Imagined Disasters

by Katie Goh

Genres: Non-fiction
Pages: 96
Series: Inklings
Rating: three-stars
Synopsis:

Throughout history, apocalypse fiction has explored social injustice through fantasy, sci-fi and religious imagery, but what can we learn from it? Why do we escape very real disaster via dystopia? Why do we fantasise about the end of the world?

The word “apocalypse” has roots in ancient Greek, with apo (“off”) and kalýptein (“cover”) combining to form apokálypsis, meaning to uncover or reveal. In considering apocalypse fiction across culture and its role in how we manage, manifest and imagine social, economic and political crises, Goh navigates what this genre reveals about our contemporary anxieties, and why we turn to disaster time and again.

From blockbusters like War of the Worlds to The Handmaid’s Tale and far beyond, we venture through global pandemics to the climate crisis, seeking real answers in the midst of our fictional destruction.

Let’s journey to the end.

It was really interesting, early in the pandemic, how many people turned to disaster movies and books about the very same concept. Personally, I found myself rereading Mira Grant’s Feed, which features a zombie apocalypse due to a virus that infects literally everyone, and led to severe restrictions on the number of people who can gather, fear of other people, etc, etc. Katie Goh’s The End tries to examine why that might be, and comment on a few examples.

Like all the Inklings series, it’s pretty short, so it’s hardly exhaustive. A chunk of it is focused on COVID specifically, which makes sense giving the timing of the book. I think it makes a good case for why disaster fiction interests and engages us, and I enjoyed the reading process.

Rating: 3/5

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Review – The New University

Posted March 6, 2025 by Nicky in Reviews / 0 Comments

Review – The New University

The New University

by James Coe

Genres: Non-fiction
Pages: 96
Series: Inklings
Rating: two-stars
Synopsis:

What is a university for? They educate and set people up for their futures; they teach, research, employ – often irritate. We talk about developing the next generations and pushing the boundaries of knowledge, but in the midst of a pandemic, universities were put more firmly under the microscope than ever before. As we emerge into a new reality, James Coe considers the enormous challenge of reimagining an entire cornerstone of society as a more civic and personal institution.

The New University posits a blueprint of action through universities intersecting with work, offering opportunity, and operating within the physical space they find themselves. Diving into the issues he aims to tackle in his own work as a senior policy advisor, Coe believes we can utilise universities for community betterment through realigning research to communal benefit, adopting outreach into the hardest to reach communities, using positional power to purchase better, and using culture to draw people together in a fractured society.

The world has changed and universities must change too.

The New University is the start.

James Coe’s The New University is a book very much of a particular moment during the economic and social recovery from COVID in Britain. Some of the policy concerns have moved on since it was written, but there is something still relevant here: the issue of what universities are meant to be doing, from how they relate to the local businesses around them to how they contribute to the economy, and how they should be funded.

I find it odd that Coe discusses things like providing flexible learning, and fails to mention the Open University even once. Many of the things he describes as being things universities need to do have a pioneer in the OU, and it isn’t some upstart flash-in-the-pan newcomer. It’s been established for a long time now and it’s doing many of the things Coe thinks that traditional universities should do. I wonder if he’s just blind to the OU because he works in a traditional university? Contemptuous of what the OU does and the value of its qualifications? I’m not sure, but it’s a strange omission.

Coe is very optimistic about universities and what they can give to the country. He does touch on what they offer to individuals as well, to some extent (in part through his own nostalgia for his time at university), though it’s very much about what universities can do on a broader level.

It’s interesting, but obviously dated already, and containing some odd omissions. Also, like the other Inklings book I’ve read, it does need a better proofreader.

Rating: 2/5

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Review – The Loki Variations

Posted January 19, 2025 by Nicky in Reviews / 0 Comments

Review – The Loki Variations

The Loki Variations: The Man, The Myth, The Mischief

by Karl Johnson

Genres: Non-fiction
Pages: 96
Series: Inklings
Rating: four-stars
Synopsis:

Loki, ever the shapeshifter, has never been more adaptable across pop culture. Whether it’s deep in the stories from Norse mythology, the countless offshoots and intepretations across media, or even the prolific Loki that has come to dominate our screens via the Marvel Cinematic Universe, each serves its own purpose and offers a new layer to the character we’ve come to know so well.

By exploring contemporary variations of Loki from Norse god to anti-hero trickster in four distinct categories – the God of Knots, Mischief, Outcasts and Stories – we can better understand the power of myth, queer theory, fandom, ritual, pop culture itself
and more.

Johnson invites readers to journey with him as he unpicks his own evolving relationship with Loki, and to ask: Who is your Loki?

And what is their glorious purpose?

Karl Johnson’s The Loki Variations digs into the character of Loki — not specifically the Norse god in his original form, nor Loki just as portrayed by Tom Hiddleston, but Loki as an overall concept. Pretty much what it says on the tin, in fact: he’s looking at the varied ways people have portrayed and enjoyed Loki’s character, and what he’s meant to people.

It’s nice to read something that takes pop culture seriously, because — regardless of how ephemeral or unimportant it can seem — it’s a great reflection of what’s on people’s minds. Johnson talks specifically about Loki’s queerness, which is linked to how difficult he can be to pin down: he’s not your typical Asgardian (in any incarnation), he’s not exclusively bad or exclusively good; he slides past definitions adroitly.

(A sudden thought: given the red hair and general inclination to mischief over evil, I wonder if Good Omens’ Crowley as portrayed by David Tennant is technically a bit of a variation on Loki himself. In some ways, no, but something of Loki’s instinct for self-preservation, adaptability, and unwillingness to be pinned down and defined does ring true for Crowley as well.)

Anyway, it’s a slim book and doesn’t go into enormous depth, but it’s written with a love for Loki and an appreciation for popular culture that I very much enjoyed.

Rating: 4/5

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Review – They Came To Slay

Posted January 11, 2025 by Nicky in Reviews / 0 Comments

Review – They Came To Slay

They Came To Slay: The Queer Culture of DnD

by Thom James Carter

Genres: Non-fiction
Pages: 112
Series: Inklings
Rating: four-stars
Synopsis:

Since its inception decades ago, the tabletop roleplaying game Dungeons & Dragons has offered an escape from the real world, the chance to enter distant realms, walk in new shoes, and be part of immersive, imaginative tales as they unfold. More so, in Thom James Carter's opinion, it's a perfect vessel for queer exploration and joy.

Journey on, adventurer, as Dungeon Master Thom invites readers into the game's exciting queer, utopian possibilities, traversing its history and contemporary evolution, the queer potential resting within gameplay, the homebrewers making it their own, stories from fellow players, and the power to explore and examine identity and how people want to lead their lives in real and imagined worlds alike.

Grab a sword and get your dice at the ready, this queer adventure is about to begin.

I’m not personally into D&D, though I know a lot of people who are and I’m close enough to the periphery that Thom James Carter’s They Came To Slay sounded interesting. It’s full of enthusiasm for D&D and its possibilities — possibilities for everyone, not just queer people, but especially for the opportunities it allows for queer people to explore and be recognised.

I’m vaguely aware of some critiques of Wizards of the Coast, and this book is largely positive toward the company, often suggesting that things are trending toward the better as far as queer representation goes. I don’t know enough about it to know if that’s true, and as far as I understand it, that’s not the only reason to be wary of the company, but it is interesting to read about the queer-positivity.

D&D still isn’t for me, but it does sound like there’s a joyous queer community around it, and that’s lovely.

Rating: 4/5

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