Emilie & the Hollow World, Martha Wells
I’ve only read one of Martha Wells’ books before, but that was enough to make me a fan. Compared to that one, City of Bones, Emilie & the Hollow World is a much more simplistic story, but I still enjoyed it a lot. Someone described it as a “girl’s own adventure” story, which I think is pretty accurate. The main character Emilie is resourceful: I don’t understand people who are criticising it saying she spends the first half of the book just following people around. She runs away from home, stows on board a ship, saves someone’s life with impulsive action, and immediately starts making sensible suggestions to the crew of said ship.
Now, if you were to say she’s a bit wish-fulfillmenty, well yeah, maybe. But heck, I loved Emilie’s adventures and her resourcefulness; I don’t see why it should be odder for a girl to be plucky and resourceful than for a boy. There’s also people complaining that she doesn’t act like a Victorian girl, but… this isn’t meant to be set in the Victorian period? It’s plainly another world entirely, for all that the vaguely steampunkish trappings might make you think it’s just alternate Victoriana, and there’s a hint of Victorian-ish morals around Emilie’s family. Still, those’re parallels; that doesn’t mean Wells has to stick with it.
Which brings me to another point I really liked — the world-building. I expected that, from the standard City of Bones set, and while this is lighter, that imagination is still there. I loved, for example, the half-underwater city. I don’t think I’ve ever come across anything quite like that before. There’s other stuff to appreciate, too, like the casual flipping of gender roles where Rani talks about Kenar pining for her, and when they reunite, she spins him around in her arms!
Overall, very much looking forward to my ARC of Emilie & The Sky World.
Steve Rogers: Super Soldier, Ed Brubaker, Dale Eaglesham
