The Buried City: Unearthing the Real Pompeii

by Gabriel Zuchtriegel

Genres: History, Non-fiction
Pages: 256
Rating:

Synopsis:

This is Pompeii, as you've never seen it before.

In this revelatory history, Gabriel Zuchtriegel shares the new secrets of Pompeii. Over the last few years, a vast stretch of the city has been excavated for the first time. Now, drawing on these astonishing discoveries, The Buried City reveals the untold human stories that are at last emerging.

Pompeii is a world frozen in time. There are unmade beds, dishes left drying, tools abandoned by workmen, bodies embracing with love and fear. And alongside the remnants of everyday life, there are captivating works of art: lifelike portraits, exquisite frescos and mosaics, and the extraordinary sculpture of a sleeping boy, curled up under a blanket that's too small.

The Buried City reconstructs the catastrophe that destroyed Pompeii on 24 August 79 CE, but it also offers a behind-the-scenes tour of the city as it was before: who lived here, what mattered to them, and what happened in their final hours. It offers us a vivid sense of Pompeii's continuing relevance, and proves that ancient history is much closer to us than we think.

The cover copy on the inside flap of the dust cover suggests that Gabriel Zuchtriegel’s The Buried City is about amazing new finds at Pompeii, but that’s not really a good description of the book (though it does discuss some recent finds). It feels more like a manifesto for seeing Pompeii differently, for seeing it not just as a source of treasure, nor a tourist site for income, but a piece of heritage that everyone has a stake in, and everyone deserves the chance to learn about.

It takes a while to unfold to anything like that, though, because it’s also partly autobiographical, Zuchtriegel’s musings on what makes him who he is as an archaeologist, what drove him to the point that he became the director general at Pompeii. All of that led him to his excitement on unveiling the life of slaves in Pompeii, his attitude toward his work there, his involvement of young people in actually putting on drama in Pompeii — something which was revelatory for them and for the team involved.

It’s a fascinating book about archaeology in general, not just Pompeii; I wouldn’t necessarily recommend it for being about Pompeii, but more as a view of a career and an attitude that culminated in a change of focus at Pompeii. And it really does ramble, sometimes.

Rating: 4/5 (“really liked it”)