This could easily have felt really prurient and invasive, given its focus on the various bloody murders that fascinated Victorian society — or too bloodless and dry despite the topic, if it got too academic. I found that Flanders steered a perfect path; it might still be too dry for those who are mostly interested in the murder part of it, but I found it really fascinating, especially as someone who studied the development of crime fiction in novel-form (mostly in the following century).
Flanders does hop about in time a little bit, which gets frustrating and a little confusing. It’s partly because the chapters are grouped thematically, which mostly does work, though since it marks a progression over time then maybe it could have been managed a little better. There are lots of examples to illustrate the trends being discussed, plus images where appropriate as well.
There’s lots of referencing at the end, which is always reassuring in a non-fic work like this. All in all, I’d be happy to read more by Flanders.