In An Artificial Night, Toby ends up confronting one of the Firstborn in order to save children — both mortal and fae children, snatched away to join Blind Michael’s Ride. I think in the previous books we’ve had a reference or two to him here or there, but now he comes out in full force, and full horror. Toby has to be a hero, of course, even when her Fetch arrives to say hi early in the book. As ever, she goes through the whole thing a couple of steps from being killed, and the reader lets it work because we love heroes.
I think this is the book that really got me into this series: it’s so clever, the way the mythology is used and added to, and there are so many great emotional notes that I shouldn’t name for fear of spoilering people.
I do still feel that for all that Toby suffers in this book, it’s lacking in teeth in one way: I never really felt that someone we love was at risk, even when Toby behaved recklessly. We know she’s going to be fine, and I feel like I’m always waiting to see her reckless behaviour really hurt the people around her — not just because they’re worrying about her, but because she’s really pulled someone else into trouble. In the first book, there was Dare, of course, but… that was the first book. It feels like the stakes should be raised, and yet this book is remarkably bloodless in that sense. The person who suffers is Toby — and it’s not that it means nothing, but I’m just expecting the way Toby behaves to get Quentin killed or something. By rights, she should’ve by now.
Despite that quibble, it’s a strong book in the way it uses the mythology and ratchets everything up to the ending, and I enjoy it a lot.