Featuring Joanna David as Harriet Vane and Ian Carmichael as Lord Peter Wimsey
Gaudy Night is the odd one out in both the radioplays and the books. It was recorded later, I think, and it shows — Ian Carmichael sounds almost winded half the time, though it does get better as the book goes on. It’s quite a different tone, too, because it’s from Harriet’s point of view. In the audiobook, this involves a fair amount of first person narration of her thoughts and feelings, which was never a feature of the other audiobooks, which makes it stand out as well.
That said, it’s a pretty good adaptation, drawing together all the key features well and giving clues through the voice acting as well as the plot. In audio, it’s a little hard to keep track of all the female dons, but that doesn’t seem to get in the way too much. And Harriet’s realisation of her feelings for Peter is well done; I think I prefer Sarah Badel’s take on it in Busman’s Honeymoon, but it works.