The Movement: Class Warfare, Gail Simone, Freddie Williams II
It took me so long to get around to reading the second volume of The Movement, I thought I’d better reread the first. Perhaps it was very much of its moment, both in terms of the content and in terms of the effect on me: I wasn’t as taken with it this time round, though there’s still lots to love. The diversity of the characters, in terms of sexuality and gender and even political views. It’s great for the way the characters struggle against each other: they don’t automatically have the same opinions, and some of them clash on fairly fundamental levels (and yet friendship can win out — note to US politicians: try not seeing your opponent as total scum).
The art is still awesome; I love Virtue and Rainmaker in particular. And Tremor. Okay, I just love the art, okay. I do wish at times there was a bit of a brighter colour palette — I can tell I’m reading a DC comic just from the gloomy colouring! Though it is also appropriate to the world that these characters are living in, so it does make sense. (Marvel’s Young Avengers are a much more privileged group, after all.)
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