Well, I guess I’d better give up the disclaimer about what I think of these. They’re harmless, easy fun, concerned with setting up a puzzle and then working it out, with lots of red herrings and interesting people along the way. Nothing ground breaking, but comfortable.
This one did give me a little bit of unease because of the swishy, blatantly queer couple who were a walking, talking pair of stereotypes. At least they were harmless, but Marsh wrote about them rather unpleasantly and nobody thought any good of them. At least Alleyn, as I imagine him, wouldn’t be an ass to them in person about it, but would respect their relationship (as long as he thought it was real, not just theatrics and melodrama). I suppose I am getting to like him, though I think I’m building on him in my own mind more than Marsh is in the text.
This one only slightly breaks the trend — there’s no reconstruction, though the group do gather together again to talk it over, which is pretty close.
The statement I spotted in another review that Nigel Bathgate does nothing and could he please be murdered now is sadly accurate. The one point I liked was when Alleyn rings up and tells him to act as if he’s talking to Angela. That was a bit amusing.