The Door into Sunset, Diane Duane
I really like that this series is out there, full of characters outside the traditional fantasy mold, full of female characters, in a world created by a goddess. And it helps that there’s dragons and that the most important relationship through the books published is that of Freelorn and Herewiss. And again, that they have a realistic struggle to adjust to new things, to find their feet in their relationship and keep it ticking over without letting it stagnate, to find room for each other. There are some really great scenes, like the section in Lionhall or some of the battle scenes.
One thing I really, really liked was the characterisation of Cillmod, and even Rian. They’ve been boogeymen for so long, and this book finally expands them a little. Cillmod turned out to be especially interesting. It was great to see some ambiguity, some signs of another side of the story.
But. I don’t know. For me, it just doesn’t quite click. Sometimes I feel like the issue of the Goddess is hammered home too hard, too frequently; sometimes I want the characters to stop thinking so much about getting into bed with each other, because hey, there’s actually a war going on; sometimes the tone just feels pompous or… or something I can’t quite put my finger on, but in any case find offputting. It’s not that I don’t enjoy it — I wouldn’t have finished the three books which have been written if I didn’t — but I’m not sure it needs the fourth unwritten book, and I’m glad enough to leave it here.