Platform Decay

by Martha Wells

Genres: Science Fiction
Pages: 256
Series: Murderbot Diaries #8
Rating:

Synopsis:

Everyone's favorite lethal SecUnit is back in the next installment in Martha Wells' bestselling and award-winning Murderbot Diaries series.

Having someone else support your bad decision feels kind of good.

Having volunteered to run a rescue mission, Murderbot realises that it will have to spend significant time with a bunch of humans it doesn't know.

Including human children. Ugh.

This may well call for... eye contact!

(Emotion check: Oh, for f—)

I received a copy of this book for free in exchange for an honest review. This does not affect my opinion of the book or the content of my review.

Platform Decay is the latest of Martha Wells’ Murderbot books, and it has the usual ingredients: a Murderbot who’s very done with humans (but not so done it’s actually going to murder them, at least not unless you provoke it), stupid corporates being broadly horrifying, and a bunch of humans who need protecting from the latter by the former. In addition, this one includes a torus station, which Murderbot didn’t know it’d hate so much until it was trying to traverse it.

I have to admit, I’m starting to think if Murderbot needs a break, or the feeling of a tighter narrative arc, or something: this book felt like essentially more of the same. It’s fun because Murderbot’s narrative voice is fun (mostly; caveat below), and because we care about Murderbot, but there’s much that feels like the status quo. Maybe there’s more coming due to Three’s actions in this book? There are some developments (Murderbot’s got a therapy module! and it felt like it was trying way harder to avoid lethal violence than before; Three’s getting itself involved)… but it’s hard to be sure whether we’re going somewhere specific or whether we’re just riding shotgun on Murderbot’s mission of the week, and this felt a bit more like the latter.

In addition, the narrative voice in the first chapter was too Murderbot. There were three or four parenthetical thoughts per paragraph, and it really stuttered the action and made it almost unintelligible to read at times. That’s partly because of how the book starts, and the fact that Wells seems to have wanted to make a certain aspect of the situation unclear until Murderbot’s “oh, by the way” (which failed for me, it was completely obvious).

I did enjoy the story once I got into it, but it has lost some of the freshness, and it feels like maybe it needs a heavier edit or something to rein in some of the inclination toward wordiness: yes, that’s the way Murderbot is, but it still needs to be readable. Or maybe I just need a longer break from Murderbot — that’s possible too.

Rating: 3/5 (“liked it”)