The End: Surviving the World Through Imagined Disasters

by Katie Goh

Genres: Non-fiction
Pages: 96
Series: Inklings
Rating:

Synopsis:

Throughout history, apocalypse fiction has explored social injustice through fantasy, sci-fi and religious imagery, but what can we learn from it? Why do we escape very real disaster via dystopia? Why do we fantasise about the end of the world?

The word “apocalypse” has roots in ancient Greek, with apo (“off”) and kalýptein (“cover”) combining to form apokálypsis, meaning to uncover or reveal. In considering apocalypse fiction across culture and its role in how we manage, manifest and imagine social, economic and political crises, Goh navigates what this genre reveals about our contemporary anxieties, and why we turn to disaster time and again.

From blockbusters like War of the Worlds to The Handmaid’s Tale and far beyond, we venture through global pandemics to the climate crisis, seeking real answers in the midst of our fictional destruction.

Let’s journey to the end.

It was really interesting, early in the pandemic, how many people turned to disaster movies and books about the very same concept. Personally, I found myself rereading Mira Grant’s Feed, which features a zombie apocalypse due to a virus that infects literally everyone, and led to severe restrictions on the number of people who can gather, fear of other people, etc, etc. Katie Goh’s The End tries to examine why that might be, and comment on a few examples.

Like all the Inklings series, it’s pretty short, so it’s hardly exhaustive. A chunk of it is focused on COVID specifically, which makes sense giving the timing of the book. I think it makes a good case for why disaster fiction interests and engages us, and I enjoyed the reading process.

Rating: 3/5