The Nine Tailors, Dorothy L. Sayers
In The Nine Tailors, Peter and Bunter find themselves stranded in the Fen country due to their car being driven into a ditch. Taking shelter for New Year’s Eve in a small vicarage, Peter gets pressed into joining the vicar and his bellringers in ringing in the New Year, literally, with a complex and record-breaking peal. The reader might be slightly confused by this beginning, which features no crime, but after a while things become clear: the vicar writes to Peter later, asking for his help. A body has been found in the grave of a woman who died that New Year’s Day, and nobody knows who he is, who killed him, or even exactly how he died.
This was one of my favourite of the Peter Wimsey books from the start of my acquaintance with them, when I was rather less under the spell of Peter, and more inclined to be sceptical — I think I might’ve given Whose Body? two stars, so thank goodness I didn’t have a blog then: my mother would’ve had a fit. It’s hard to put a finger on exactly why this book is a favourite, though. Part of it is a sense of place — the desolate power of the Fenlands, the beauty of the church, the brooding menace of the bells… Part of it is that refrain from the book: “Nine tailors make a man.” For me, anyway, there’s a kind of magic in that phrase, in the idea of the bell slowly tolling to announce a death. And there’s also a good deal to love in the care Sayers took in using the bellringing for so much, weaving it into the plot inextricably, and making all the infodumps about change ringing useful to the rest of the story. There’s a powerful melancholy in the whole book.
(I’m sure for some people that’s also a reason to dislike the book; it’s a fairly measured and slow-paced story.)
For me, there’s also significant pleasure in the ironies of the story, and to elaborate would be to spoil the story. It’s a rather literary effort, compared to the snappier books from earlier in the series: for me, that’s a positive thing, though I like the earlier books as well. Could use more active involvement of Parker, though…
My first and favourite Wimsey 🙂
There’s a brilliant sense of place, and it’s just soaked in the macabre.
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Yep! And I love the way she makes the bellringing not only part of the setting, but plot and characterisation and just about everything.