A Wrinkle in Time, Madeleine L’Engle

I’m sorry. I don’t get it. I think I might’ve loved it if I read it at a formative age, but the basic concepts of fighting a great evil (and even some of the relationships between characters) reminded me mostly of The Dark is Rising, which I’m afraid has first place in my heart. I didn’t get the sense of wonder and fascination that I think it could’ve invoked, encountered at the right time, and I just felt rather impatient with the protagonists.

I’m not sure if I’ll read the other books or not – I know that if I’d gone on Over Sea, Under Stone alone, I’d never have finished Susan Cooper’s series. On the other hand, I just don’t enjoy the half fantastical, half scientific backdrop, and part of the reason I didn’t connect with the characters was because I couldn’t pin them down – one minute they seem painfully young and naïve, and the next I seem to be expected to root for a romance between them.

Really, it reminds me of so many other books — The Wizard of Oz, The Railway Children, The Dark is Rising, Little Women… It never quite became its own story for me.

Rating: 2/5

The Bear and the Nightingale, Katherine Arden

I struggled a bit with this book, which surprised me. It’s not the fairytale-like narration, because that worked for me, nor the choice of setting (semi-historical Russia), or the characters, or the choice of fairytales to invoke. Perhaps it’s just that I felt I knew where it was going and how it would unfold, and I am so very tired of stories all about taming a wild young woman who doesn’t belong among her people.

It’s well written, and I enjoyed the Russian flavour – probably helped by the fact that I don’t know Russian well at all, so the words chosen to give a flavour didn’t contradict each other in the way they were Romanised or used. I do enjoy Vasya and her determination, her basic goodness, her love for her family and duty to the people who, unknowingly, relied upon her. I enjoyed the little snippets that joined it to history.

I just… didn’t quite click with it in some way I can’t put my finger on. I’m glad I read it, and I’ll probably pick up the second book to see how I get into that, but… something didn’t work for me.

Rating: 3/5

The Man Who Fell to Earth, Walter Tevis

Ouch. I was sort of enjoying this, but not really bowled over — and then that ending. Of course that’s the way the US government would end up treating an alien. Of course it’s not that easy to save the world.

To start at the beginning, this is a short novel which imagines what would happen if an alien came to Earth with the intent of saving our world, in order to save his own. Newton is from Anthea, which sounds like it’s probably Mars (back when we thought Mars might have had intelligent lifeforms), and his people need a new world. So they send him to Earth to kickstart technology, enough to build an ark to fetch them to Earth. And from there, they’d take over Earth quietly, guiding humans to prevent the use of nuclear weapons, etc, etc.

To no one’s surprise, it doesn’t quite go as planned, but the way that works out is fascinating. The weird thing for me was how much people drank, and how routine alcoholism was for the characters. Just… not a world I’m used to. But it’s an interesting book, and I enjoyed it — and it gets an extra star for that ending.

Rating: 4/5

The Carpet Makers, Andreas Eschbach

I loved this, the first time I read it, and it’s stayed with me ever since — not all the details, but an overall impression of great craft in the writing (and no doubt on the part of the translator, too) and a mystery which, once solved, seemed amazing. It’s not a format I’d usually like, since it doesn’t follow a single character or handful of characters through a story, watching them develop and react; instead, each chapter is linked to the previous, but has different characters. Some of the characters, you just don’t know how they end up, or you only see a little glimpse of it. Each story has its own arc, arousing sympathy, horror, curiosity, anger.

It’s a great book — not a collection of short stories, as you find once you’re halfway through. No: it cleverly unravels the mystery in little pieces, revealing it piece by piece until at the end you say — ah!

I won’t say more about it, because the plot needs to be discovered for itself. The writing is beautiful, though; each word feels like it’s in its exact right place, carefully laid out and planned in advance like one of the carpets made by the people of the title. It’s almost fable-like in some places — and honestly, I found that my suspension of disbelief didn’t matter. It was all so clever, and it expected the reader to disbelieve, to feel staggered by the scales, the things suggested.

It’s great. I find it unforgettable.

Rating: 5/5