Binti: Home, Nnedi Okorafor
This would probably have got a higher rating from me if I’d reread the first novella. As it was, I couldn’t tell what was supposed to be new to me and what was just part of me remembering the first book poorly. Things just kept happening, and I couldn’t make any guess about the next event — and then it suddenly ended. I forgot the basics. So if you were wondering about reading this as a standalone, I would say: don’t.
I really want to find the Okorafor novel/la that will work for me. Binti hasn’t been it, with either instalment. I do enjoy the worldbuilding, the mix of cultures, and the feeling of warmth I get from the story, from Binti’s courage… but I found the movement through the story a little too bewildering. I probably won’t read any more books about Binti; I just don’t seem to “get” it.
Standard Hollywood Depravity, Adam Christopher
Received to review via Netgalley, publication date 7th March 2017
Just like Made to Kill and Brisk Money, this is an entertaining story — imagine Chandler’s noir detectives, that kind of world, but add in one robot detective-become-assassin and his profit-orientated handler (actually a computer). It’s full of references and hat-tips to Chandler’s era, and though it doesn’t have Chandler’s flair with words (few people do), it’s well written and goes down easy. It’s also reasonably clear of sexism, racism, and Chandler’s other such vices.
This story in particular involves Raymond getting tangled up in the antics of various criminal cartels, and all that sort of thing implies. Bullets and assumptions fly, garnering a possibility of some grudges being held against Raymond and Ada, his handler — and we end the story with Ada and Raymond in a pretty good position. All ready for the next novel, since this is marked as 1.5 in the series on Goodreads?
In any case, this is readable whether or not you’ve read Made to Kill and the short story Brisk Money, but it is worth reading those for extra background and a better understanding of Raymond, his capabilities, and his limitations. The ARC version I read bundled in Brisk Money, so you could comfortable skip to that and read it first before going back to read Standard Hollywood Depravity.
Meanwhile, I never seem to have reviewed Brisk Money itself, and the release of this novella seems like a prime opportunity to do so — so watch out for that review coming sometime soon as well.
Brother’s Ruin, Emma Newman
Received to review via Netgalley; publication date 14th March 2017
Brother’s Ruin is another of the Tor.com novella series, though this one is very obviously just the beginning of a series of novellas, rather than standing alone (as, for example, Passing Strange does). So it mostly seems to function as a way of setting up the world: there is a story here as well, but more important is the alternate reality being created. It’s sort of vaguely Victorian, but with magic as a relatively commonplace event, and some steampunky elements. There’s some politics around magic and its practitioners that is obviously going to become more important as the novellas go on.
The main character, Charlotte, is pretty cool. She’s part of a family and has a fiancé, but she also earns her own money through illustration work and hides her own strong magic. She’s prepared to take risks to take care of her family, and she’s fine with supporting them from her own funds. She has her weaknesses — a pretty face, apparently, as well as her strong and almost uncontrollable magic — but she also has great strengths.
The reason I’m not rating this more highly is that it does feel very much like an introduction, and it only grazes the surface of the male character who is presumably going to become a much bigger part of Charlotte’s life. I don’t know what motivates him and why he’s interested, and nor do I understand why Charlotte finds him so fascinating. The scenes where she’s suddenly finding him amazingly attractive don’t quite ring true to me, given her otherwise practical nature.
There’s a lot of potential here, but I’m not 100% sold — yet.
Agents of Dreamland, Caitlin R. Kiernan
Received to review via Netgalley; publication date 28th February 2017
Once again, not knowing my Lovecraft tripped me up. Yep, this is yet another Lovecraft-based story, although in this case it’s a rather less well-known one: the Fungi from Yuggoth. Not one I’d have known anything about even if I’d known in advance, but perhaps I might have been better prepared for the sheer bleakness and darkness of this story had I known it was based on Lovecraft’s mythos in any way.
It’s an intriguing little novella; self-contained, though it hints at a world before and after it through one character who is, to some extent, ‘unstuck in time’. The flesh-crawling horror of the fungi, a kind of invasion we’re helpless to fight, is done really well. There’s one phrase which just made me shudder, because of all the different implications stacked together: “the fruiting corpse”. Gah. Gaaah.
It’s very effective writing, and because I don’t know to what extent it takes any of the detail from Lovecraft, I can say that it’s definitely something that can stand on its own. It doesn’t rely on me realising exactly what’s going on through familiarity with Lovecraft; the creeping unease works as well or better if you’re ignorant of where things are going.
Birthright, Missouri Vaun
Received to review via Netgalley; publication date 14th February 2017
Birthright is a fun, fast-moving story of a sort typical in fantasy: the lost heir to a throne taken by a tyrant. And this version is a fun example of the genre, with strong female characters coming out of your ears — and falling in love with each other, too. The love story is at least as important to the plot as the lost heir, which is worth keeping in mind; it motivates the way the end of the story shakes out, and takes up a good amount of the narration. I enjoyed that though Aiden is boyish and Kathryn more feminine, there’s no stereotyping — both can fight, both can rule, both know what they’re doing.
There are a couple of moments where I felt things rushed by a little too fast — the connection between the two characters grows very quickly in just a couple of scenes — and where I’d have liked a bit more depth, like the characters of Frost and of Gareth, or even Rowan. Without more background, for example, Kathryn’s jealous moment made little sense, especially since how we got to that moment felt a little contrived.
Nonetheless, it’s fun and has a happy ever after, and I’d definitely recommend it to people looking for lesbian fantasy.
Foxglove Summer, Ben Aaronovitch
Once again, this book takes a step back from the main action. It’s not that the events of Broken Homes aren’t alluded to, because they are. In the background, there’s a lot of stuff going on with tracking down Lesley and the Faceless Man. But the main action of the plot is a police procedural dealing with some missing children. I wasn’t really surprised that this book brought in the concept of a changeling child, but it did manage to give the whole idea a couple of twists that did surprise me.
For me, both the strength and weakness of the book is the lack of progression in that main series plot, and the absence of many of the supporting characters. There’s no Lesley to make Peter do the proper policing thing, and there’s no Nightingale for backup. Which leaves Peter on his own, thinking for himself, and showing that actually, he doesn’t need those two. He also keeps showing that though he might not be as good a copper as Lesley, who never misses a beat, he’s a good policeman because he’s a good man. And this book reminds us of the people Nightingale and Peter are meant to be working for — ordinary people who need protection — rather than against (mysterious practioners of unclear motive).
I’m definitely ready for more of the main plot now, but the respite from it wasn’t bad either.
Diamond Dogs, Alastair Reynolds
Diamond Dogs is a really effective novella, for my money. I reread it recently, but I remembered the key points from the first time I’d read it — a twisty story that got under my skin. There’s lots of little references and clues to point you to what the story is going to do, and there’s plenty of worldbuilding and detail to keep you wondering. It helps to know a little bit about the larger universe of Reynolds’ books, just for background… but it’s not necessary.
It’s creepy and psychological and well structured. It’s just one of those novellas which perfectly gets under the skin, scratches that itch, etc, etc. I won’t give away anything else…
Passing Strange, Ellen Klages
Received to review via Netgalley; released 24th January 2017
Passing Strange is a lovely novella which takes its own sweet time. As it opens, you expect one story, one protagonist… as it continues to unfold, you see that you were wrong. In my case, I didn’t mind that bait-and-switch at all, but I imagine some people will find that shift in POV a little jarring. Though I didn’t mind, I did find myself briefly wrong-footed by it.
The novella is set in San Fransisco, 1940, among a community of queer women whose lives intersect. I’ve seen a review where someone felt that the takeaway from this book was “yeah, yeah, we know gays back then had a hard time”. There’s that, of course, but there’s also that community, and that’s what I really enjoyed. I don’t really want to say too much about it; I think it’s best if the story unfolds itself for the reader in its own time.
I’ve also read a complaint that the speculative aspect isn’t integral. It is, but it’s subtle; the fact that it’s there, quietly but throughout, allows the ending that otherwise couldn’t be mysterious or touching or bittersweet. It’s an ordinary sort of magic, in the way that the women use it — it’s a tool that happens to be to hand.
I enjoyed the story a lot. And it’s another of the Tor.com novellas that feels like it was meant to be exactly this length, no longer, no shorter.
Miranda and Caliban, Jacqueline Carey
Received to review via Netgalley; release date 14th February 2017
I’ll probably give anything by Jacqueline Carey a chance. I’m not a huge Shakespeare fan, and I wasn’t really sure if I’d like something retelling The Tempest. But it’s Jacqueline Carey’s work, so I requested it anyway. And… I loved it quite a bit. I wasn’t sure about the narration: honestly, Miranda sounded rather like Phèdre in many ways, and far too mature considering the narration is present tense, even when she’s a small child. I wasn’t sure about Caliban’s narration either, because I’m not a fan of broken English portrayed in fiction — it quite often comes out sounding like mockery.
But all the same, the writing has grace to it, and it’s certainly easy to read and absorb, despite the tendency to thee and thou. (I wish Ariel didn’t say “Oh, la!” like he was from Pride and Prejudice or something, though. It always sounds far too comical for me.)
The relationship between Miranda and Caliban, their tenderness for each other as each helps the other, is well done. The portrayal of Prospero as a somewhat abusive father who sometimes nonetheless shows tenderness for his daughter makes perfect sense, and so does the way his behaviour pushes the two together. Ariel’s capriciousness and ambivalence works, too.
The only problem, really, is that you know how it’s going to end. I found myself hoping all the same that it would end differently — it’s a retelling, after all. But at the same time, there’s always that sense of inevitability: you know what’s going to happen. I don’t think there’s anything revolutionary about this telling, but it humanises Caliban and makes of him much less of a monster, and more of a lover. The ending gave me a lump in my throat: his hope, despite Ariel’s warnings, despite Miranda’s doubts. It’s so tender and naive.
The Prince of the Moon, Megan Derr
Received to review via Netgalley
The Prince of the Moon is a fairytale-like story of princes, queens and curses, along with true love, a pure heart, and other such trappings of the genre. The difference being that the witch burning may not be entirely justified — certainly there are at least two good witches in the story — and the people who have been cursed may just deserve it somewhat. Oh, and the romantic couple are both men, but that’s becoming more common lately and honestly didn’t feel like the point of the story. Which is kind of exciting, actually! M/M fairytales which aren’t just about changing genders, but also about interrogating other aspects of the story, like the wicked witch and her son.
It’s pretty short and mostly sweet, and the romance feels a little bit rushed… but on the other hand, of course it does: this is coming out of fairytales, after all. The only thing I honestly don’t get is why Solae keeps trying to help his family, when it’s fairly clear no one has ever stretched out a hand to him. He’s a good person, and yet he’s learned that goodness all out of nowhere.
Then again: it’s a fairytale. Who taught Rapunzel to be good?
The sex scenes are, well, not terrible or laughable or awkward, but neither were they necessary to the story. I just skipped past them, given lack of interest. But there is sex in this book, if that matters to you.