Tag: Ed Brubaker


Review – Fatale: Death Chases Me

Posted 15 February, 2015 by in Reviews / 2 Comments

Cover of Fatale by Ed Brubaker and Sean PhillipsFatale: Death Chases Me, Ed Brubaker, Sean Phillips

Someone recommended me this, based on the fact that I like noir fiction and I enjoyed Brubaker’s run on Captain America. It’s a mix of noir and horror, and just on those grounds, I don’t think it really worked for me. The femme fatale trope can be fun, but I never really got into this. Maybe it’s a bit too much of a mash-up of genres for me? And I didn’t feel that they used the form to best effect: there were so many text boxes telling me what was going on, and everything was so dark and dingy I wasn’t really keeping track of characters properly.

There was some gorgeous art, mind you, and I can imagine some people falling over themselves for this one. But not me.

Rating: 3/5

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Top Ten Tuesday

Posted 10 June, 2014 by Nikki in General / 8 Comments

Hooray, another Top Ten Tuesday post, run by The Broke and the Bookish. This week’s topic is Top Ten Books I’ve Read So Far This Year. Luckily, I have no lack of awesome books that I’ve been reading. I’ll link to my reviews on this blog. These are not in order of awesomeness, I couldn’t manage that! I’m not including rereads, or Jo Walton would swamp everything.

Cover of The Winter Soldier comic by Ed Brubaker Cover of Spillover by David Quamnem Cover of The Universe Versus Alex Woods, by Gavin Extence Cover of What Makes This Book So Great by Jo Walton Cover of Attachments by Rainbow Rowell

  1. Captain America: The Winter Soldier, by Ed Brubaker et al. I just. All the feels.
  2. Spillover, by David Quammen. This one was fascinating. Lots and lots of stuff about not just the way animal diseases spill over into humans, but on the way humans interact with the environment, how we come into contact with these kinds of diseases.
  3. The Universe Versus Alex Woods, by Gavin Extence. I loved this, and really didn’t expect to. The quirky friendship, the bonding over books, and the things Alex ends up doing for that friendship. It’s beautiful and I’m pretty sure I cried. It deals with a topic that’s really important to me, too — as it happens, my tithe this month went to Dignity in Dying, campaigning for the right to voluntary euthanasia in this country.
  4. What Makes This Book So Great, by Jo Walton. I love this as a resource for more books to read, and as a way to read insightful discussions about books and get a different perspective on them. Also, it’s just a really good read.
  5. Attachments, by Rainbow Rowell. I think this one may have surprised people who know me, but somehow I just adored it. Good building of characters, and I like the way the love story comes about.
  6. Cuckoo Song, by Frances Hardinge. Got this as an ARC, had it finished before the end of the day. Just captivating. I love that it’s a changeling story, and the story itself doesn’t work out the way you might expect.
  7. My Real Children, by Jo Walton. Can’t miss this one out. I was uncertain how I felt about the style and structure, and then right at the end Jo pulled everything together and made it work. And despite a certain simplicity about it, I cried — multiple times.
  8. Beowulf: A Translation and Commentary, by J.R.R. Tolkien, ed. Christopher Tolkien. I’ve been waiting for this for, literally, years. I always hoped Christopher Tolkien would publish this, and stop holding it back. The translation is interesting, but actually what really excited me were Tolkien’s in depth notes on just about every aspect of the poem, including close reading of the actual Anglo-Saxon words.
  9. Red Sonja: Queen of Plagues, by Gail Simone et al. I only really knew of Red Sonja as a sexist symbol whose image caused some trouble in the SF/F community. So I wasn’t sure about trying this out, but I’d heard good things about Gail Simone. And it turns out she created a good story with fun characters, full of powerful women who are not perfect, but who are compelling and are not just fan service.
  10. The Broken Land, by Ian McDonald. I wasn’t expecting to love this one so much, but it fascinated me. It creates a world that’s different to pretty much anything else I can think of, and comments on civil wars and the rifts they can create. It’s not light reading, but I thought it was good.

Cover of Cuckoo Song by Frances Hardinge Cover of My Real Children by Jo Walton Cover of Beowulf trans. J.R.R. Tolkien Cover of Red Sonja by Gail Simone Cover of The Broken Land by Ian McDonald

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Review – Captain America: The Red Menace

Posted 24 February, 2014 by Nikki in Reviews / 4 Comments

Cover of Captain America: The Red MenaceCaptain America: The Red Menace, Ed Brubaker, Steve Epting, Mike Perkins, Javier Pulido, Marcos Martin

Yep, I get the feeling I’m going to love Brubaker’s entire run on Cap. This was a lot of fun, even when it brought in players I’m not terribly familiar with — Crossbones and Sin, Union Jack and Spitfire; actually, they made it more fun. I liked the interactions between Union Jack, Spitfire and Steve, and I actually found myself weirdly rooting for Sin and Crossbones in that messed up way where, well, it’s kinda not her fault she’s completely nuts, and they take such bizarre joy in the destruction they cause.

I also loved how damn happy Steve was when he realised Bucky really was alive and nearby. That bit where he picks Sharon up and twirls her around — just lovely.

The little flashback comic in the middle was good, too, Bucky being Bucky and getting to see the Howling Commandos and more of how Steve was involved with the war.

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Review – Captain America: The Winter Soldier

Posted 23 February, 2014 by Nikki in Reviews / 0 Comments

Cover of The Winter Soldier comic by Ed BrubakerCaptain America: The Winter Soldier, Ed Brubaker, Steve Epting, Mike Perkins, Michael Lark, John Paul Leon

The film cannot come out soon enough. I need more Cap in my life. I have a wishlist of things I would like to see directly translated from book to movie — though many things will have to be changed, of course, to fit with MCU canon, there should be room for stuff like the “who the hell is Bucky?” moment. I’m looking forward to Falcon, who I haven’t seen before reading this TPB.

I also have a list of things I don’t want to happen, like that ending where Bucky just disappears leaving Steve believing he might be dead. Aaaah.

So in short, Brubaker is an amazing writer for Captain America — there are some moments where he just nails everything Steve is. The art’s good, too, and it all comes together really well in terms of pacing.

I don’t really get people who don’t like Steve. I mean, I can see plenty of reasons not to like the character, but the nobility and drive of him… It gets me right in all my feels.

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Auto-read list

Posted 11 November, 2013 by Nikki in General / 14 Comments

A friend, Lynn, posted a link to and her version of an interesting question at SF Signal a few days ago, and I thought I’d join in as well.

We all have authors whose work, for whatever reason, inspire us more than the rest, whose books standout and can always be counted on to entertain, and even to comfort. These are the ones that we’ll instantly forgive a misstep or two (maybe even three), because we love them that much, and will buy, and read, anything that they write. So, we asked our panel…

Q: What authors are on your autoread list, and why?
I’m going to discount deceased authors, for this, otherwise you’d just get it filled up with Dorothy L. Sayers, J.R.R. Tolkien, Rosemary Sutcliff, and Raymond Chandler. Which in itself probably tells you a lot about me, but hey. To stick to the rules, I will also put Iain M. Banks in this group, although I haven’t read all of his work yet and haven’t quite adjusted to the idea that there will be no more.

  • Ursula Le Guin: I haven’t found all of her work memorable, and some of it I wouldn’t find worth rereading. Some of it I liked better on a reread than I did the first time. The thing with Ursula Le Guin is she’s willing to critique her own work in a way that inspires me: both in essays and by developing her themes further. The whole Earthsea sequence can be seen as a dialogue with fantasy tropes of male power which she first just accepts and then begins to work against. Or in some of her non-fiction collections, she’s critiqued some of the decisions she made in The Left Hand of Darkness to do with portraying gender and sexuality. She’s already prone to writing about diversity, and she’s willing to look back at her work and say, “Nope, screwed that up.” Except much more elegantly. What’s not to love?
  • Gillian Bradshaw: I haven’t read all or even most of her work yet, but Island of Ghosts told me all I needed to know about her attention to detail, her ability to make the historical engaging. I guess she’s comparable to Rosemary Sutcliff in some ways, though her novels are aimed at an adult audience and therefore perhaps less accessible. I should actually buy Island of Ghosts for my mother sometime, if there’s an ebook or larger print edition, because I think she’d like it too. (1)
  • N.K. Jemisin: This is precisely no surprise for anyone who knows me. Jemisin’s work is glorious, with diverse characters, exciting plots and strong world-building. I actually have a recurring dream element where somewhere in a dream about something else entirely, I will see a new N.K. Jemisin book on the shelves and have to read it. I can never remember when I wake up what the plot was about, but even my dreaming brain knows it’s gonna be good.
  • Michael Wood: Yep, this is non-fiction. All of his books are accessible, but detailed and as far as I’ve ever heard, accurate. I remember reading two of his books about medieval England while recuperating from my cholecystectomy, and I could concentrate on them even then, yet they didn’t feel dumbed down.
  • Scott Lynch: I suppose really he needs to write a bit more before I can tell whether it’s the world he’s created that I adore, or his writing alone. But on the strength of The Lies of Locke Lamora and its sequels, I’m willing to try anything he writes, and I’ve enjoyed a short story or two as well.
  • Jacqueline Carey: Okay, so I have Dark Currents on my shelf and haven’t got round to it yet, but regardless, I will eventually get round to everything Carey writes. There are many and varied problems I could point to with her work, particularly with how she deals with races other than the D’Angelines in the Kushiel books, but her work is satisfying in so many other ways. In the Kushiel books, there’s that push-pull relationship between Phèdre and Joscelin, there’s all that delicious loyalty stuff going on with Joscelin, there’s the permissiveness of their world, there’s politics and intrigue… And though many people don’t like them, I love Banewreaker and Godslayer for taking Tolkien’s pretty morally strict world and spinning it so we can see another side. (2)
  • Robin McKinley: I love what she does with retelling fairytales, I love her female protagonists, I love her writing style. Sunshine and Chalice are my favourites, but I’ve found something to enjoy in nearly all her work. Exception: Deerskin. It’s incredibly well written and all the emotions are wonderfully evoked, but it’s not a fictional space I was at all comfortable in. In a way it treats sexual violence much more seriously than, say, Jacqueline Carey. (3)
  • Joanne Harris: I started out life as a Joanne Harris reader with snobbery about Chocolat, only to discover that actually it was very readable, well written, and I fell in love with the characters. Harris actually has a genius for narrators, but also for making everything she writes a very easy read. Which she wouldn’t like me saying, if I recall conversations from Twitter correctly, but ’tis true nonetheless: I find that her books don’t throw up resistance to reading, but are easy to immerse myself in and just read. Which is, at least to me, a compliment.
  • Neil Gaiman: Periodically I come across people complaining about his privilege, or his wife, or his attitude toward women. Often I think these people have some good points to make. Regardless, his books have a similar quality to Harris’ in that I’ve rarely come across a roadblock. Anansi Boys being an exception, firstly because it made me wonder if my dad was secretly Anansi, and secondly because I got far too embarrassed for the characters. (4)
  • Ed Brubaker: At least if it has the words “Captain America” on the cover.
  • Guy Gavriel Kay: His prose is beautiful, and he’s one of the few authors who can frequently move me to tears.
  • [Previously omitted] Jo Walton: She wrote a book that felt just perfect for me, like she’d written it for me — I’m speaking, of course, of her Among Others. She’s written in a lot of different genres: dystopian alternate history with a detective story in the Small Change books; dragons in an Austenesque society in Tooth & Claw; fantasy based around the home and relationships in Lifelode; alternate Arthuriana in The King’s Peace/The King’s Name… She’s a versatile author who has yet to write a book that I didn’t enjoy, and The Prize in the Game is one of those few books that moved me to tears.
(1) I have several measures of admiration for books: do I want to give them to my mother, my sister, my partner, or all three? Island of Ghosts is probably more a Mum book than anything.

(2) Carey’s Kushiel books would be a I will give this to everyone in the world recommendation if it weren’t for the overabundance of kinky, often violent, sex which can’t be skipped because sometimes it’s plot relevant and it’s usually emotionally relevant for Phèdre in some way. Mum, if you read these books, a) no you cannot borrow my copies, you’d damage their spines, b) for the love of god, I don’t want to know if you read them, c) yes I am a prude, d) I’m twenty-four, I really need to stop addressing parts of my blog posts to you like you get to approve or disapprove! I think you gave up trying to regulate my reading material by the time I’d chewed my way through two libraries at the age of twelve anyway.

(3) Mum — and Lisa, if you haven’t read it — Chalice.

(4) Thing about Anansi in Gaiman’s work: if he names something, that name sticks. This can be observed with my dad and the local wildlife, teddy bears, people, or whatever else you can think of. These names somehow spread beyond the immediate circle who should know about it, so that by some alchemy I am Squeak to people who’ve never met my dad and who I don’t recall telling that story to.

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